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From: guide@life.a-domesticguide.com
Subject: life.a-domesticguide;$eat
From: nathalie <volt@cybercable.fr>
Subject: cyber femmes a Paris , 8 decembre.
Subject: Re: [Nettime-bold] cyber femmes a Paris , 8 decembre.
From: ".pavu.com" <jean-philippe.halgand@pavu.com>
Subject: FORUM:JOURNALISM AND CYBERSPACE THU 30 NOV, 5-7 PM,
56-114
From: fran ilich <ilich_030@hotmail.com>
From: Arie van Schutterhoef <arsche@xs4all.nl>
Subject: (OT)[ANNOUNCE] " N U C T E M E R O N "
From: press@webnetmuseum.org
Subject: ISEA Esthetique de la communication 3
From: cristine wang <cristinewang@yahoo.com>
Subject: Exhibition of Int'l Artists in East Village, NY: Opening
Sat. Dec. 2
(6-9pm)
From: "[iso-8859-1] honor" <honorharger@yahoo.co.uk>
Subject: Turner Prize Awards :: Tate Britain :: Live Online
From: Radhika Subramaniam <rsubramaniam@ArtsInternational.org>
Subject: call for submissions/technology: please circulate
From: "Tommaso Tozzi" <t.tozzi@ecn.org>
Subject: No alla censura 214T - No censorship 214T
From: Francisco Javier Bernal <asterion@ntlworld.com>
Subject: "Big Brother Capabilities in an Online World. STATE SURVEILLANCE
IN THE INTERNET"
From: Kalina Bunevska <kalina@scca.org.mk>
Subject: Invitation
From: guide@life.a-domesticguide.com
Date: Mon, 27 Nov 2000 21:29:43 -0800
To: nettime-l <nettime-l@bbs.thing.net>
Subject: life.a-domesticguide;$eat
#######
life.a-domesticguide or, a concatenated practice of living
==
http://life.a-domesticguide.com
#######
what goodness hath wrought
what badness hath wrought
what attitude hath wrought
what lattitude hath wrought
what nature hath wrought
what day hath wrought
what domestication hath wrought
& that which is to the pleasure of eyes
& that which is to the pleasure of ears
& that which is to the pleasure of cerebrum
$
eat
$
#...........................
#...........................
Date: Mon, 27 Nov 2000 09:11:33 +0100
To: nettime-l@bbs.thing.net
From: nathalie <volt@cybercable.fr>
Subject: cyber femmes a Paris , 8 decembre.
=46rench Version Follows :
=46ACES in Paris
Cyber-women. Presentation of works on demonstration/party mode,
=46riday, December 8 2000, 2:30 am,
Ecole Nationale Superieure des Beax Arts de Paris, 14 rue Bonaparte
metro ST Germain
C.I.D. - M=E9diath=E8que of the National School of Fine Arts, Paris,
right-hand side staircase, first floor.
Organized by Kathy Rae HUFFMAN, co-founder of the mailing list FACES,
director of Hull Time Based Arts (England), & Nathalie MAGNAN, media
artist of the National School of Fine Arts, Dijon, moderators, in
partnership with the C.I.D. - M=E9diath=E8que of the National School of
=46ine Arts (Ensba).
=46ACES is an international mailing list that connects women activists,
artists, critics, theoreticians, technicians, journalists,
researchers, programmers, networkers, web designers and educators:
women who share an interest in the media and communication arts.
=46ACES is, at the same time, an information space and a link for women
to share their projects, exhibitions, critical opinions, and texts.
The FACES mailing list was initiated at a FACE SETTINGS dinner in
Vienna, Austria, in November 1996. Since, its creation FACES'
subscribers appeared on many occasions in the world of art, in
particular with Documenta X, http://faces.vis-med.ac.at
With the participation of:
- Rachel BAKER, artist (London), http://www.irational.org/rachel
- Marion BARUCH, artist (France), http://www.moneynations.ch/cartographes
- Sylvie BLOCHER, artist (France),
- Annick BUREAUD, art/new media critic, OLATS-Leonardo (France),
http://www.olats.org/
- Josely CARVALHO, artist (Brazil), http:/www.book-of-roofs.net
- Shu Lea CHEANG, artist (without fixed residence, New York, Tokyo,
Paris, London) http://brandon.guggenheim.org/shuleaWORKS/
- SIXSEX, feminist group,(France), http://sixsex.org/
- Elinor Nina CZEGLEDY, independent artist (Canada),
http://www.digibodies.c3.hu /
- Sara DIAMOND, Artistic Director Mva, Executive Director, TV and New
Media, Banff Center for the Arts, http://www.banffcentre.ab.ca/mva/
- Virginia EUBANKS, theorician, E-zine " Brillo " (the USA),
http://www.virago-net.com/brillo/No1/contents.htm
- Anne-Marie DUGUET, Directrice du CRECA, Universit=E9 de Paris 1
Sorbonne. http://www.creca.org (not shure)
- Marikki HAKOLA, media artist, director, researcher, executive
producer (Finlande), http://triad.kiasma.fng.fi/light/marikkicv.html
- Susan KENNARD, Producer, New Media Institute, Banff Center for the
Arts, http://www.banffcentre.ab.ca/mva/
- Olga KISSELEVA, artist (Russia), http://www.fraclr.org/hay/preface.htm
- Maria KLONARIS & Katerina THOMADAKI, artistes (France-Greece),
co-directrices d'A.S.T.A.R.T.I. pour l'art audiovisuel (rencontres et
=E9ditions), http://mkangel.cjb.net
- Diana McCARTY, media critic (Germany),
- Jenny MARKETOU, artist (USA/Greece),
- Anne-Marie MORICE, Synesth=E9sie (France) web magazine,
http://www.synesthesie.com
- Margaret MORSE, Associate Professor Film and Digital Media,
University of California at Santa Cruz (USA),
- Nat MULLER, " V2_Organisation " and " Axis, foundation for gender
and the arts ", (Holland), http://www.v2.nl http://www.axisvm.nl
- Iliyana NEDKOVA, Translocal Projects, Foundation for Art & Creative
Technology (Liverpool),
- Florence ORMEZZANO, artist (France) digital photo and vid=E9o,
http://www.thing.net/~lilyvac/wax.html
- Arghyro Paouri, artiste ( france, grece ) http://top.inria.fr/paouri
- Laurence RASSEL, constantvzw, (Belgium), http://www.constantvzw.com/cyberf=
/
- Eva URSPRUNG, artist and president of the association of women
artists " Kunstverein W.A.S. " (Austria), http://www.mur.at/42 -
http://www.mur.at/was
- Liz VANDER ZAAG, artist (Canada)
- Eva WOHLGEMUTH, artist (Austria),
and a lot more =8A
The group P=E9n=E9lopes will make a video work during this event
http://www.penelopes.org /
This program can be modified
Contact: Mathilde FERRER, Martine MARKOVITS
t=E9l: 01 47 03 50 45, fax: 01 47 03 50 78
e-mail : martine.markovits@ensba.fr
http://www.ensba.fr
reservation & information for the dinner at 8:30 pm that evening,
please contact Arghyro Paouri <Arghyro.Paouri@inria.fr>
<....>
#...........................
#...........................
Date: Mon, 27 Nov 2000 13:41:13 +0100
Subject: Re: [Nettime-bold] cyber femmes a Paris , 8 decembre.
From: ".pavu.com" <jean-philippe.halgand@pavu.com>
To: <nettime-bold@nettime.org>, <nettime-l@bbs.thing.net>,
dear colleagues
this to remind that
you may use pavu.com's Tea Sing Fred sofa desk to invite shiny net.art femme
fighters and dance with them on the wonderful Tea Sing Fred online IRC Dance
Floor !
TSF : http://www.pavu.com/TSF/
wishing you the best always
The pavu.com TEAM
-/ don't miss the next train - train with pavu.com ! /-
----------
#...........................
#...........................
Date: Sun, 26 Nov 2000 20:29:46 -0800
Subject: FORUM:JOURNALISM AND CYBERSPACE THU 30 NOV, 5-7 PM, 56-114
From: fran ilich <ilich_030@hotmail.com>
To: <nettime-l@nettime.org>
MIT COMMUNICATIONS FORUM
JOURNALISM AND CYBERSPACE
THURSDAY, NOV. 30, 2000
5-7 PM
56-114
SPEAKERS:
Rich Meislin, editor in chief, New York Times Digital
Steve Johnson, editor in chief, FEED magazine
A conversation about the current state of digital journalism. How have
traditional newspapers been affected by the World Wide Web? How are new
media being exploited by traditional newspapers? How are journals born on
the Web differentiating themselves from their counterparts with roots in
the print medium? What is known about the audiences for on-line
newspapers? Is the content and even the mission of on-line
journalism different from that of older media? What are the future
prospects for journalism in cyberspace?
#...........................
#...........................
Date: Sun, 26 Nov 2000 22:24:26 +0100
To: "nettime's announcer" <nettime-l@bbs.thing.net>
From: Arie van Schutterhoef <arsche@xs4all.nl>
Subject: (OT)[ANNOUNCE] " N U C T E M E R O N "
" N U C T E M E R O N "
- for music and images -
Hans van Eck & Arie van Schutterhoef
Schreck Ensemble (Amsterdam)
http://www.xs4all.nl/~schreck/
Sunday, 10 December 2000 at 19:30 ^E^E
De Effenaar
http://www.effenaar.nl
Dommelstraat 2,
5611 CK Eindhoven.
Tel: 040-243 55 59
as part of the DisTronics Festival
organised by Stichting Axes, Eindhoven
http://www.dse.nl/axes/
"Nuctemeron" is a new work by Hans van
Eck (music) and Arie van Schutterhoef
(video). It describes the metamorphosis
of the human soul in a cycle of twelve
hours. This alchemistic text, in its
original (Greek) language, in the
beautiful French translation by Levi and
the clear English of Doyle, serves as
the basis for the composition - in
structure and timbre.
For the video sequences, two images of
sounds were manipulated at pixel level
with graphical programs into abstract
forms and with the aid of virtual
reality applications given the movement
from one to multiple dimensions of
depth.
During the performance, extensive use is
being made of SuperCollider and Sound
Processor for signal processing and
synthesis purposes, Quicktime for video
and Max is doing the quadraphonic
spatializationon on a Yamaha digital mixer.
Schreck Ensemble:
Janice Jackson - voice and gongs
Tiziana Pintus - violin
Hein Pijnenburg - clarinets
Arie van Schutterhoef - video and stratifier
Hans van Eck and Pieter Suurmond - mixing and computers
Colin McClure - technique
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..................................................................
^ Arie van Schutterhoef | arsche@xs4all.nl
^_±±±±±±±±±±±±±±±±±±±±±±±__""""""""""""""""""""""""""""""""" |
` |Schreck Ensemble http://www.xs4all.nl/~schreck/ |
` |# -laboratory for live electro-acoustic music- # |
` |Tel: 00-31-71-5612287 Fax: 00-31-70-3859268 |
*========================================================++
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..................................................................
#...........................
#...........................
Date: Mon, 27 Nov 2000 19:17:24 +0800
From: press@webnetmuseum.org
To: webnet.culture@webnet.fr
Subject: ISEA Esthetique de la communication 3
FRENCH/ENGLISH
ISEA 2000 PARIS, decembre 2000
PROGRAMME : ESTHETIQUE DE LA COMMUNICATION
- MERCREDI 6 DECEMBRE
10H30 à 13H00, Paris 1 Sorbonne, UFR des Sciences de l'art et des arts
plastiques,
amphi, entree libre,
162 rue saint Charles
75015 Paris ( Metro Charles Michel)
Table ronde organisee par FRED FOREST
Médiatrice : Anne-Marie Duguet
" L'avenement des arts numeriques, avant meme qu'Internet arrive ? "
Anne-Marie Duguet, professeur Paris I Sorbonne,
Edmond Couchot, professeur Paris VIII,
Mario Costa, professeur universite de Naples,
Fred Forest, artiste, theoricien, professeur, universite de Nice
Sophia-Antipolis
- JEUDI 7 DECEMBRE
12H30, Forum des images (Les Halles)
MARIO COSTA, Professeur Universite de Naples et Salerne
conference : " L'Esthetique de la communication "
19H30 Club Hypermonde, au " Pere tranquille ", les Halles 1er étage,
MARIO COSTA/FRED FOREST,
conference :
" L'esthetique de la communication, esthetique de l'Internet avant l'heure "
- SAMEDI 9 DECEMBRE
de 13H30 à 14H30, Forum des Images (Les Halles), Salle 40
FRED FOREST, artiste, theoricien, professeur Universite de Nice Sophia
Antipolis
conference illustree : " La pratique de l'Esthetique de la communication "
http://www.fredforest.org
www.webnetmuseum.org
--------------------------------------------------------------------------------
ISEA 2000 PARIS, December 2000
PROGRAM : AESTHETICS OF THE COMMUNICATION
- WEDNESDAY DECEMBER 6
10H30 -13H00,
Paris I Sorbonne
UFR of Sciences of art and the visual arts,
amphi, free entrance,
162 rue saint Charles 75015 Paris
(Subway Charles Michel)
Round Table organised by FRED FOREST
Mediator : Anne-Marie Duguet
" The advent of numerical arts, even before Internet ? "
Anne-Marie Duguet, professor Paris I Sorbonne,
Edmond Couchot, professor Paris VIII,
Mario Costa, professor at University of Naples,
Fred Forest, artist, theorist, professor at University of Nice Sophia-Antipolis
- THURSDAY DECEMBER 7
12H30, Forum des images (les Halles)
MARIO COSTA, Professor at University of Naples and Salerno
conference : " the Aesthetics of the Communication "
19H30 Club Hypermonde, at " Père tranquille", Les Halles, 1st stage,
MARIO COSTA/FRED FOREST
conference :
" the Aesthetics of the communication, aesthetics of the Internet before
the time "
- SATURDAY DECEMBER 9
13H30 - 14H30, Forum des Images (Les Halles) Room 40
FRED FOREST, artist, theorist, professor at University of Nice Sophia
Antipolis,
illustrated conference : " Practice of the Aesthetics of the Communication "
http://www.fredforest.org
http://www.webnetmuseum.org
#...........................
#...........................
Date: Mon, 27 Nov 2000 11:02:17 -0800 (PST)
From: cristine wang <cristinewang@yahoo.com>
Subject: Exhibition of Int'l Artists in East Village, NY: Opening Sat. Dec. 2
(6-9pm)
To: nettime <nettime-l@bbs.thing.net>, recode list <recode@autonomous.org>,
rhizome raw <list@rhizome.org>, Syndicate <syndicate@aec.at>,
thinglist <thingist@bbs.thing.net>
"Dystopia + Identity in the Age of Global
Communications"
**Opening Saturday Dec. 2, (6-9pm)**
featuring works by:
Mark Amerika, Zhao Bandi, Betty Beaumont, Mike
Bidlo, Natalie Bookchin, Shu Lea Cheang, Ricardo
Dominguez, Christoph Draeger, Laura Emrick, Peter
Fend, Joy Garnett, Leah Gilliam, Marina Grzinic,
Mark Lombardi, Mark Napier, Carsten Nicolai, Roxy
Paine, Zhou Tiehai, Maciej Wisniewski, Gu Wenda
and others...
for full details:
http://www.artnet.com/tribes.html
__________________________________________________
__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
http://shopping.yahoo.com/
#...........................
#...........................
Date: Mon, 27 Nov 2000 19:19:15 +0000 (GMT)
From: "[iso-8859-1] honor" <honorharger@yahoo.co.uk>
Reply-To: honor@va.com.au
To: xchange@re-lab.net
Subject: Turner Prize Awards :: Tate Britain :: Live Online
[ The following text is in the "iso-8859-1" character set. ]
[ Your display is set for the "US-ASCII" character set. ]
[ Some characters may be displayed incorrectly. ]
The Turner Prize Awards: Live Webcast
Tuesday 28 November
2000 - 2100 [ GMT ]
2100 - 2200 [ Central European Time ]
http://www.tate.org.uk/britain/exhibitions/turnerprize.htm
< sincere apologies to anyone who receives this twice, or
receives this in error >
Channel 4 will be screening the award ceremony of the
Turner Prize live on British television on 28 November. At
the same time, Tate will be presenting a webcast live on
this website.
The webcast will feature profiles of the four artists
nominated for this year^Òs Prize, information about the
history of the Turner Prize, and the live awards ceremony
itself. Viewers from Britain and around the world can take
part in this unique event on the internet.
Presented live online in audio and video using the Real
Player.
Live at:
http://www.tate.org.uk/britain/exhibitions/turnerprize.htm
http://www.tate.org.uk/webcasting/live.html
The webcast is produced by Illumina, part of the
Illuminations Group, with the assistance of Channel 4.
ABOUT THE TURNER PRIZE
The Turner Prize has been awarded annually, with the
exception of 1990, since 1984. Since 1991 it has been given
to 'a British artist under 50 for an outstanding exhibition
or other presentation of their work in the twelve months
preceding 31st May'.
The Turner Prize 2000 exhibition, sponsored for the tenth
consecutive year by Channel 4, opened on 25 October,
showing work by the four shortlisted artists, Glenn Brown,
Michael Raedecker, Tomoko Takahashi and Wolfgang Tillmans.
The winner of the £20,000 prize will be announced at Tate
Britain on the evening of 28 November during the live
broadcast / webcast.
The winner will be decided by a jury whose members are: Jan
Debbaut, Director of Stedelijk Van
Abbemuseum, Eindhoven; Keir McGuinness, Chairman of Patrons
of New Art; Julia Peyton-Jones, Director of the Serpentine
Gallery, London; Matthew Slotover, Publisher of Frieze
Magazine; Nicholas Serota, Director of Tate and Chairman of
the Jury.
EXPERIENCING THE WEBCAST
There will be additional live coverage of the Turner Prize
available at the website of ArtsOnline:
<http://www.artsonline.com>
If you would like to view profiles of the nominees before
the live programme, visit the web pages introducing the
four artists:
<http://www.tate.org.uk/britain/exhibitions/turnerprize.htm>
TECHNICAL DETAILS
If you haven't experienced webcasting online before, read
these instructions carefully. To watch and listen to this
webcast, you will need access to a computer with a sound
card, a connection to the internet (at least 56K), and the
Real Player installed. This can be downloaded for free
that the Real Networks website <http://www.real.com>.
The direct link to the free RealPlayer is
<http://www.real.com/player/index.html?src=downloadr>.
Make sure you download the BASIC VERSION of the Real
Player.
It would be best if you knew that your computer is able to
play audio and video in the Real Player before you connect
to the webcast.
FEEDBACK
If you have any comments or feedback, either before, during
or after the webcast, please email the Webcasting Curator
<honor.harger@tate.org.uk>.
MORE INFORMATION
About the webcasting at Tate:
Honor Harger, Webcasting Curator, Tate Modern
honor.harger@tate.org.uk
PH: (44) 020 7401 5066
http://www.tate.org.uk/webcasting/
About Tate or the Turner Prize
Ben Rawlingson Plant & Ben Luke
Tate Press Office, Millbank, London SW1
PH: (44) 020 7887 8731/32
FAX: (44) 020 7887 8729
http://www.tate.org.uk
About ArtsOnline
http://www.artsonline.com
____________________________________________________________
Do You Yahoo!?
Get your free @yahoo.co.uk address at http://mail.yahoo.co.uk
or your free @yahoo.ie address at http://mail.yahoo.ie
#...........................
#...........................
Date: Mon, 27 Nov 2000 15:56:59 -0500
From: Radhika Subramaniam <rsubramaniam@ArtsInternational.org>
To: "'nettime@bbs.thing.net'" <nettime@bbs.thing.net>
Subject: call for submissions/technology: please circulate
[ The following text is in the "iso-8859-1" character set. ]
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CALL FOR SUBMISSIONS
CONNECT invites submissions for Issue 2, on the theme of 'Technology.' By
technology, we mean to invoke not merely the rapidity and seeming immediacy
of the digital age, but also the histories and pre-histories of machines,
and the moment when science seemed most magical. In keeping with our
general philosophy, the editors of CONNECT hope that individually and
collectively, the contributions to the technology issue will also reflect
upon questions of globalism, internationalism, translation and the static of
incomplete connection. We invite contributions that speak to both the
celebratory and melancholic aspects of techno-modernity.
Contributions may take the form of short essays, literary prose, poetry and
performance texts, short commentaries of a critical or historical nature,
informational announcements, interviews, and reproductions of visual art of
all genres, including web-based productions.
Since CONNECT addresses a diverse audience of presenters, curators,
theorists, cultural critics, and artists in a range of locations,
contributions should be written in lucid-, jargon-free prose with limited
citations. Articles should be no more than 3,000 words in length.
Inquiries should be sent to rsubramaniam@artsinternational.org
<mailto:rsubramaniam@artsinternational.org>. Unsolicited submissions will
not be returned, but visual materials will be returned to those contributors
who include a self-addressed and stamped mailer. Submissions must be sent
in hard copy no later than February 15, 2001 to the following address:
Radhika Subramaniam
CONNECT: art.politics.theory.practice
Arts International
251 Park Avenue South
New York NY 10010
USA
#...........................
#...........................
From: "Tommaso Tozzi" <t.tozzi@ecn.org>
To: "tommaso" <t.tozzi@ecn.org>
Subject: No alla censura 214T - No censorship 214T
Date: Tue, 28 Nov 2000 16:20:00 +0100
THIS IS A MESSAGE FOR ARTISTIC ACTION ON THE NET
"NO-CENS-214-T"
The region of Tuscany has forbidden the presence of Tommaso Tozzi and =
Giacomo Verde from the exhibition to celebrate the abolitions of the =
death penalty by the Grand Duke of Tuscany in 1786.
After the regional authority of Tuscany had turned down the work of =
Tommaso Tozzi and Giacomo Verde - which consists in: promoting Netstrike =
214-T against the death penalty; printing a postcard; and installing =
computers in support of Netstrike 214-T in the exibition space - it =
refused permission to the two artists, just three days before its =
opening, to demostrate the nature of the project, and further to put on =
display the letter of refusal from the President of the Region, The Hon. =
Riccardo Nencini.
A matter that till now seemed to be a case of political censorship, =
owing to a lack of familiarity with life on the Net - amply demostrated =
by the political leaders of the region of Tuscany - has now became the =
very real censorship of freedom of expression and of any art form that =
strays from producing little more than beautiful if harmless objects.
It is paradoxical that an institution which rightly sets out to =
celebrate the abolition of the death penalty as a sign of progress in =
civil society, should then in fact behave like the most retrogressive =
authoritarian state in deling with those that express in a different way =
the same point of wiew.
We are askink al people, artist, and associations - everyone who =
believes in freedom of expresion - to send an immaginative e-mail in =
protest against artistic censorship to the president of the Region of =
Tuscany, the Hon. Riccardo Nencini:
r.nencini.@consiglio.regione.toscana.it
=20
with subject: No censorship 214T
and in C.C. to Tommaso Tozzi, Giacomo Verde:
t.tozzi@ecn.org, info@verdegiac.org
All messages and material that is will be pubblished on the Web an =
linked toghether as a unique collective work of art against censorship.
Tommaso Tozzi, Giacomo Verde
#...........................
#...........................
Date: Tue, 28 Nov 2000 23:37:07 -0000
From: Francisco Javier Bernal <asterion@ntlworld.com>
To: nettime@bbs.thing.net
Subject: "Big Brother Capabilities in an Online World. STATE SURVEILLANCE
IN THE INTERNET"
-----BEGIN PGP SIGNED MESSAGE-----
Hash: SHA1
Dear friends,
I finished to convert my thesis and upload it to the site
http://www.bernal.co.uk
Its title is "Big Brother Capabilities in an Online World.
STATE SURVEILLANCE IN THE INTERNET"
I expect you will find it useful.
Feel free to send me any comment privately if you like.
Best regards,
Francisco Javier Bernal
===========================
This thesis was written during 1999-2000 by Francisco
Javier Bernal, Graduate in Audiovisual Communications,
University of Seville - Spain, and Dip. European Media Production at
University ofLincolnshire and Humberside - United Kingdom.
Here are main links:
Big Brother Capabilities in an Online World
STATE SURVEILLANCE IN THE INTERNET
http://www.bernal.co.uk/
Introduction. Electronic Mail
http://www.bernal.co.uk/introduccion.htm
A Changing World
http://www.bernal.co.uk/capitulo1.htm
Some perspectives on Surveillance Theory
http://www.bernal.co.uk/capitulo2.htm
State Surveillance Schemes
http://www.bernal.co.uk/capitulo3.htm
Conclusion. Solutions for citizen privacy
http://www.bernal.co.uk/capitulo4.htm
Bibliography
http://www.bernal.co.uk/bibliografia.htm
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Version: N/A
iQA/AwUBOiRBo0Y4L8gv88U8EQJodwCeP4B2BY/PyNdMO0KalL3DfeQtB6YAoOA4
nHCokBdbPbte9O9ZK28Yq7D+
=idNj
-----END PGP SIGNATURE-----
#...........................
#...........................
Date: Wed, 29 Nov 2000 12:22:43 +0100
From: Kalina Bunevska <kalina@scca.org.mk>
To: nettime-l@bbs.thing.net
Subject: Invitation
The Contemporary Art Center - Skopje, Macedonia
cordially invites you to attend the opening of the exhibition
One Day, One Life
Irena Paskali
Wednesday, 29.11.2000, 8.00 PM
CIX Gallery
(Orce Nikolov 109)
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# collaborative text filtering and cultural politics of the nets
# more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body
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