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• <nettime-ann> [Deadline Extended] ACM VRST 2018 CALL FOR POSTERS AND DEMOS (6 Sep) Shunsuke Yoshimoto
• <nettime-ann> European Commission prolongs and expands support for Erasmus+ master “Media Arts Cultures” Image Science
• <nettime-ann> OUT at the Widget Art Gallery: DIREZIONI by Federico Pavano. Chiara Passa
• <nettime-ann> Press Preview: Strange Encounters with Vegetal Others - 21 September 2018, 11AM Art Laboratory Berlin
• <nettime-ann> new issue of fastCapitalism Jeremy Hunsinger

• <nettime-ann> THE INFINITE GAME Kreuzberg Pavillon
• <nettime-ann> Amsterdam book launch of Organization after Social Media Geert Lovink
• <nettime-ann> Infiltration: Challenging Supremacism - on streaming Tatiana Bazzichelli
• <nettime-ann> Exhibition at EQ: Paul Brown | Geoff and Eilidh Lucas, opens 15 September Paul Brown

• <nettime-ann> Call for papers and sound performances - conference of Central European Society for Soundscape Ecology (CESSE) Darko Fritz

• <nettime-ann> [event] What Remains: new NES game launch at V2_ 27/09/18 Aymeric Mansoux
• <nettime-ann> Now: Hybrid War, Fragile AI, etc. at GLOBAL CONTROL Conference in Riga Rasa Smite
• <nettime-ann> THE FEMINIST GAMING GROUP Kreuzberg Pavillon

• <nettime-ann> CONF: A = ANONYM (Hamburg, 24-27 Oct 2018) Andreas Broeckmann

• <nettime-ann> New Jersey Institute of Technology preesentation: Digital Disfigurement: Somatic Experiments in Edgespace Alan Sondheim

• <nettime-ann> Málaga, 24-28 Sept 2018: Activist Sense and Urban Ecologies of Care eipcp info

• <nettime-ann> Re-recycling (3min, 30sec) NW10 is Live now: watch here: http://www.mocksim.org/screening/ Hállie

• <nettime-ann> [Michaelis Galleries] Invitation: UCT Michaelis Fundraising Auction michaelis-galleries-l