| Evelyn Mund on Thu, 25 Sep 1997 10:34:25 +0100 |
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Digitale '97
Digital Dialects,
October 1 - 3, 1997
CINEMATHEK Kâ?¦LN
Sâ?¹o Paulo
Moscow
Tokyo
Operating Systems
The computer has transformed itself from number-cruncher to a digital
technology that enforces worldwide use of a new universallanguage.
Directors, artists-developers and cineasts from Sâ?¹o Paulo, Moscow and
Tokyo are invited to present and discuss how electronic and digital technology
is used in their film production. Can we say that there are digital dialects
present at the creation of moving images? Videoartists from Sâ?¹o Paulo
use non-linear editing techniques to present a form of image-dribbling
within the apparatus of large television networks; here the actual
situation
determines the relation of man and image.
In Moscow, agglomerations between the avantgarde of the past and the new
age of the machine are formed. Digital technology is used to restore
historical animation and to build independent production facilities like
the Studio of Vladimir Kobrin.
Tokyo's artists have developed a hybrid language and formed special machine
designs. They work in the shadow of a megacity which seems to be
permanently aware of natural and military catastrophes.
The morning sessions - Operating Systems - are dedicated to new large
format films that require unforeseen dimensions of computer technology.
In the Cinemathek a videolounge will allow to view separately the visual
works from these cities.
An experimental server will be configurated for the Internet that reflects
the moving images from Sâ?¹o Paulo, Moscow, Tokyo and the Operating Systems.
Wednesday, October 1, 1997
Operating systems, October 1, 10.00 - 12.30 h
10.00h Siegfried Zielinski (Academy of Media Arts Cologne)
Welcome to the Digitale '97
Udo von Karhan (Imax)
The genesis and development of a great experience
10.45h Christine Lemoine (Euromax/Productions du Futuroscope)
15 perf/70mm format in Europe
11.30h John Wyver (Illuminations Television)
Panoramania: Small thoughts from the past about
big pictures in the future
12.30h Break
Workshops: Sâ?¹o Paulo, October 1, 14.00 - 18.00 h
14.00h Marcondes Dourado
Ogodâ?¢ Ano 2000 (1996)
Nils RÅ¡ller (Academy of Media Arts Cologne)
Introduction: Digital Dialects
Solange Farkas
What do you think people think Brazil is? -
Short review of Brazilian videoart, including:
Marcos Prado e Johnny Jardim
The coalmen (Os carvoreiros) (1991)
Sandra Kogut
What do you think people think Brazil is? (1990)
Lucila Meireles
Pivete (1987)
Pedro Vieira
Duel of gods (Duelo dos deuses 1988)
15.00h Marcelo Tas
Dribbling (Lecture and film)
15.45h Break
16.15h Carlos Nader
Imaginal world (Plano imaginal)
(Lecture and film Portrait of a serial kisser, (Beijoqueiro))
16.45h Eder Santos
Lecture and films including:
JanaÅ?ba,
This nervous thing (Essa coisa nervosa),
Trailer: Confusing people (Enredando as Pessoas)
17.30h Martha Nehring and Maria Oliveira
15 sons and daughters (15 filhos)
(Discussion and film)
Moderation:
Solange Farkas and Erika Verzutti
18.00h End
19.00h General reception at the Restaurant "Alter Wartesaal"
Presentations, October 1, 1997, 21.00 h
21.00h Performance: Waly Salomâ?¹o
Screening: Trovoada by Carlos Nader
Thursday, October 2, 1997
Operating systems, October 2, 10.00 - 12.30 h
10.00h Lynn McCroskey (Sonics)
3D Sound for a 3D picture
10.45h Hugh Murray (Imax)
IMAX(r): 3D and computer animation - The perfect marriage?
12.30h Break
Workshops: Moscow, October 2, 14.00 - 18.00 h
14.00h Vadim Koshkin
Fucking electricity - Currents of death (Video)
presented by Vladimir Kobrin
14.20h Alexei Shulgin
Introduction to the current developing cyberscene in Russia
(including a visit to the Moscow WWWArt Center site)
15.00h Tatiana Detkina
Bridging the cyberworld with the era of earliest Russian
animation and montage (Lecture and presentation)
15.15h Nikolaj Izvolov
Unknown early animation masterpieces.
Included are:
Mikhail Zikhanovsky:
The Post (1931) and Pacific 231 (1930)
Alexander Alexeev:
The Night on bald mountain (ca. 1935)
Alexander Medvedkin:
Tit, or the Tale of the Big Spoon (ca. 1934)
Dziga Vertov:
Leninskaya Kinopravda No. 21
16.00h Break
16.15h Andrei Smirnov
The Theremin Center - Workshop for contemporary digital arts (Lecture)
Stanislav Kreichi
The photoelectronic ANS
(Alexander Nikolayevich Scriabin)-synthesizer
(Lecture)
Viacheslav Koleichuk
Russian Kineticism (Lecture)
16.45h Videos produced at the Theremin Center,
presented by Andrei Smirnov.
Included are:
Natalia Borisova: The Scarlet Flower
Juka Lukicheva: The Flesh
Olga Kumeger: Metamorphoses for ANS Synthesizer
Jorge Campos: Kon-Tiki for processed Ovaloid
Olga Kumeger and Victor Ulianich: Cassiopeia
17.15h Viacheslav Koleichuk, Stanislav Kreichi, Andrei Smirnov
Reflections in Time and Metal - Music for Ovaloid and tape
(Performance)
Moderation: Adele Eisenstein, Alexei Shulgin, Andrei Smirnov.
18.00h End
Presentations, October 2, 1997, 20.30 h
20.30h Films from Kobrin's Studio
With Vladimir Kobrin, moderated by Wilfried Reichart
The third reality II (1996)
The first apocryph (1992/93)
The steps to nowhere (1992)
The group portrait in still life (1993)
The last dream of Anatoly Vassilivich (1990)
Friday, October 3, 1997
Operating Systems, October 3, 10.00 - 12.30 h
10.00h Bigger is better?
Discussion moderated by Keith Griffiths
(Koninck & Illuminations Films).
With Hugh Murray and guests of the Digitale.
12.30h Break
Workshops: Tokyo, October 3, 14.00 - 18.00 h
14.00h Buichi Terasawa
Manga and Anime: Character-Design
(Lecture and film)
15.00h Junco Ito
Women's sensibilities - Production and network of Manga
(Lecture and film)
15.45h Keita Kurosaka
Personal city (Film)
16.00h Break
16.15h Keita Kurosaka
Clips and Sea roar
(Lecture and film)
16.45h Koichi Ohata
Geno-Cyber: Mecha-Design
(Lecture and film)
17.30h Toshiya Ueno
Techno-Orientalism (Lecture)
Moderation: Nils RÅ¡ller
18.00h End
Presentations, October 3, 20.30 h
20.30h Man-Machines in Tokyo
Films of Shinya Tsukamoto presented
by Nobu Kanaoka (Actress)
Cineastic contributions on urban claustrophobia, masochism
and technological acceleration:
Tetsuo - The ironman (1989) and
Tokyo Fist (1995)
Admission:
Day ticket (Operating Systems and Workshops): DM 20,00
Students: DM 10,00
Evening ticket (Presentations): DM 15,00
Students: DM 8,00
Academy of Media Arts Cologne
Peter-Welter-Platz 2
50676 Cologne
Telefon +49(0)221-20189115
Telefax +49(0)221-2018917
digitale@khm.de
http://www.digitale.khm.de
Media Kultur KÅ¡ln GmbH
Im MediaPark 5b
50670 KÅ¡ln
Telefon +49(0)221-4543202
Telefax +49(0)221-4543209
mediakulturkoeln@netcologne.de
Colophon:
Concept and Realisation:
Nils RÅ¡ller und Siegfried Zielinski
Correspondents:
Solange Farkas und Erika Verzutti (Sâ?¹o Paulo),
Adele Eisenstein (Moscow), Karl-Heinz Neubert (Tokyo)
supported by Stefan Holl und Christoph Lamprecht
Co-ordination and editorial assistance:
Evelyn Mund
www: knowbotic research
Futuroscope-Inserts:
TimothŽe Ingen-Housz, Michael Mikina,
Herwig Weiser, Andreas Wodraschke
Special Thanks to the staff of the
technical department and the administration
of the Academy of Media Arts Cologne.
PR & Organisation:
Media Kultur KÅ¡ln GmbH
The Digitale '97 is organised by the Academy of
Media Arts Cologne commissioned by the Ministry of Economics, Technology
and Transport of Northrhine-Westfalia and in co-operation with the City of
Cologne. Responsible for concept and realisation are Nils RÅ¡ller and
Siegfried Zielinski. The Digitale '97 is supported by SONY Germany within
its program for the arts.
Evelyn Mund
Kunsthochschule fuer Medien
FG Medienkunst
Peter-Welter-Platz 2
50676 Koeln
T: +49-221-201 89 115
F: +49-221-201 89 124
e-mail: evelyn@khm.de