arteonline on Tue, 10 Feb 2004 21:57:41 +0100 (CET)


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Re: [nettime-lat] Viewing Axolotls ... a visual narrative, somereflections and a game


Hola Arc,

Gracias muchas!
Também gostei muito do seu projeto! E é interessante como nossos projetos
são tão diferentes!
Axolotls são mesmo fascinantes, mesmo para mim que só os conheço de imagem e
da história de Cortazar (belíssima!). Se mais artistas tivessem trabalho
sobre axolotls poderíamos fazer uma página com todos os links. Quem sabe num
espaço dos  jardins do Museu do Essencial e do Além Disso? De toda forma
você está previamente convidado. Posso fazer o link?
Uma curiosidade técnica, você trabalhou com javascript ou com dhtml?

Nos vemos,

Regina

----- Original Message -----
From: "arc.anonimo" <arcangel@unosunosyunosceros.com>
To: "Paulo Villela" <pvillela.rlk@terra.com.br>; "Regina Célia Pinto"
<regvampi@iis.com.br>; <nettime-lat@nettime.org>
Sent: Saturday, February 07, 2004 2:34 PM
Subject: Re: [nettime-lat] Viewing Axolotls ... a visual narrative, some
reflections and a game


muy lindo > proyecto regina


el año pasado realize " el autentico chilango "
www.unosunosyunosceros.com/EAC<


alguien sabe de mas proyectos sobre AXOLOTL >/// ?

saludos

arc...





>AÍ Regina !
>Você não para de preduzir coisas sensacionais !
>Beijokas & Parabéns, que estes Axolotls vão longe !
>PV
>
>
>----- Original Message -----
>From: "Regina Célia Pinto" <regvampi@iis.com.br>
>To: <nettime-lat@nettime.org>
>Sent: Wednesday, February 04, 2004 4:24 PM
>Subject: [nettime-lat] Viewing Axolotls ... a visual narrative, some
>reflections and a game
>
>
> > VIEWING AXOLOTLS
> > ... a visual narrative, some reflections and a game
> > http://arteonline.arq.br/viewing_axolotls
> >
> > by Regina Célia Pinto
> >
> > Based on:
> >
> > "There was a time when I thought a great deal about the axolotls. I went
to
> > see them in the aquarium at the Jardin des Plantes and stayed for hours
> > watching them, observing their immobility, their faint movements. Now I
am
> > an axolotl.
> > I got to them by chance one spring morning when Paris was spreading its
> > peacock tail after a wintry Lent. I was heading down tbe boulevard
> > Port-Royal, then I took Saint-Marcel and L'Hopital and saw green among
all
> > that grey and remembered the lions. I was friend of the lions and
panthers,
> > but had never gone into the dark, humid building that was the aquarium.
I
> > left my bike against tbe gratings and went to look at the tulips. The
lions
> > were sad and ugly and my panther was asleep. I decided on the aquarium,
> > looked obliquely at banal fish until, unexpectedly, I hit it off with
the
> > axolotls. I stayed watching them for an hour and left, unable to think
of
> > anything else." ( from The End of the Game / Axolotl by Julio Cortazar,
an
> > argentinean writer).
> >
> > and
> >
> > "After 500 years of printing, 150 years of photography, a century of
film
> > and 50 years of television,
> > reality programming has reached maturity.
> > Consumers live scripted lives, while reality-creating machines predict
all
> > their movements.
> > This phenomenon is so powerful that everyone actually has two bodies:
one
> > real and another fictitious (shaped by received data)."*
> >
> > How can we change the bundles of pictures that falsify reality? Is this
a
> > desirable "reality"?
> >
> > *BERNARDO, Gustavo. A dúvida de Flusser - filosofia e literatura. São
> Paulo,
> > Globo, 2002.
> >
> >
> > _______________________________________________
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> >
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>
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