nettime_announcer on Mon, 27 Sep 1999 03:16:56 +0200 (CEST)


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                *spark <spark@spark-online.com> : Call for Submissions   | 0 9 |
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                       T. Whid <twhid@spacelab.net> : Signature Series   | 1 0 |
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                   re.state <re.state@restate.org> : pensée un1k [...]   | 1 1 |
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                  Yukiko Shikata <yshikata@crpg.canon.co.jp> : ARTLAB9   | 1 2 |
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        Elisa Rose <gunafa@well.com> : Station Rose Webcast No.73 & 74   | 1 3 |
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                  Susanne Jaschko <sj@hdk-berlin.de> : call for papers   | 1 4 |
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           Melentie Pandilovski <mpandil@soros.org.mk> : VRML Workshop   | 1 5 |
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    Natalie Bookchin <bookchin@calarts.edu> : another story of net art   | 1 6 |
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                        Kalina Bunevska <kbunevsk@soros.org.mk> : LIPS   | 1 7 |
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                                    ir-heath@mail.netnames.net : CCNOW   | 1 8 |
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        Scott deLahunta <sdela@ahk.nl> : Performance Research - ONLINE   | 1 9 |
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Actions Reseaux Numeriques <yann@x-arn.org> : [x-00] call for projects   | 2 0 |
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           Valery Grancher <vgranger@imaginet.fr> : Pump your page !!!   | 2 1 |
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         Claudia Reiche <113052.1266@compuserve.com> : THE MARS PATENT   | 2 2 |
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Call for Submissions - *spark - exploring electronic conciousness
http://www.spark-online.com

We are currently working on the second edition of the magazine to be
released November 1, 1999.  We'd like you to consider contributing to the
upcoming issue. All submissions for the issue should be submitted
electronically-either as an attachment (in MS Word), or as the body of an
email-to:  rfdelamar@spark-online.com . Submissions will be accepted until
October 5th, 1999 for the November 1st issue..

A few words about what *spark-online is attempting to engender with its
presence on the Internet.

Presently, Western society attempts to understand itself through a
dialogue of images-we dress in order to impress others, speak to remind
others of our social position and privilege, and attempt to act in a
manner which others find acceptable.  We find this idea of society to be
essentially false.  We believe in challenging society with the power of
ideas, in the hopes of stimulating a debate about the merits of a society
fashioned by images.  We strongly believe that this challenge must be
presented through a medium which society understands.  A search for truth
and understanding, amidst the kaleidoscope of images telling us who we
should be, gave rise, in part, to spark-online.  An old Native American
proverb goes,  "the clash of ideas brings forth the spark of truth."  This
is our fundamental vision, as we attempt through the magazine, to explore
and debate the merits of the dialogue of images, what we call "electronic
consciousness."

Thank you for your interest in www.spark-online.com .  We would be
grateful and honoured if you would like to participate in the creation of
the second edition of the magazine.  You can reach us at:
spark@spark-online.com .

Sincerely yours,

The Editors
*spark magazine
http://www.spark-online.com


------------------------------------------------------------------------
Via WorkForWriters
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Subscribers only may view the archives and other shared files of the list
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on WorkForWriters.


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MT Art Associates are proud to announce the availability of the
second in the series of three Signature Series projects: the Blind
Remote Kinetic Digital Image (BRKDI).

Go to http://www.mteww.com to download your BRKDI, only for a limited time!

MT ART ASSOC.
ARE CONVINCED.
THIS EMAIL
IS 20TH
CENTURY ART
//define as:
BRDT;
BLIND REMOTE
DATA TRANSFER//
//created by:
M.RIVER & T.WHID
ART ASSOC.//
//distributed by:
SEE: FROM LINE//


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<TRANZMISSION LAUNCHING>
<ANFANG OF STATEMENT>


///
\
*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
*                                                                         *
*              re.state | www.restate.org                  *
*                                                                         *
*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
/
\\/
****_--******  ***** *  *  *


.......:::...:.::...........::::::....:
..........::.:danke 4or your 1nterezt.


>www.restate.org haz been aktivated today at 14.00.00 MEZ<


projekt une:       <kapitalizt kollapz>


danke for your interezt.

<END OF STATEMENT>

yoroshiku;

{mnd src=re.state}
http://www.restate.org
kapitalizt kultur konziztz of re.petition.
kapitalizt kultur konziztz of re.petition.

<blink>
::: pensée un1k = 1nadekwat propozl = akzeptanz den1ed
</blink>

||| re.state = kreat1f collekt1v |||

<<<+>>>

.d1z ema¡l haz been sponzord by de 1n1t1at1f for mehr e<htze1t     ->
[1NFOMECH]

+-+-+-+-+-+-+-+-++-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+
|----- BEGIN RE.STATE RE.DEFINITON PROGRAM  -----|
|                     re.state | sendén netverk                       |
+-+-+-+-+-+-+-+-++-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+

>>contakt1nk hozt... load1nk... OK.
/\/verz1on: Radikal Entertainment® appl1kat1on 0.3
/\/t1tle of werk: Avant Pop (wo)manifezto (what you see is what you
get-re.mix)
/\/st1jl: konwendz1onal (= engl1sh)

TRANSFER MODE RESISTANCE SUBVERSION DECONSTRUCTION INTERFERENCE AWARENESS
HYPERLINK IRRITATION DISCONNECT REAL TIME CONTROL INTERFACE SOCIETY
STATEMENT NEUROFUZZ CONSTANT STATE OF AGITATION CONTENT IRRATIONAL BREAK
RADICAL ENTERTAINMENT CYBER CONSCIOUS MAINSTREAM REVOLUTION RECYCLING
DIGITAL AUDIO VISUAL ABSTRACT SYNAESTHETIC EXPRESSIONIST CONTEMPORARY
NONLINEAR CULTURE REWIRE IDENTITY SITUATIONIST MEMORY MILLENIUM TYPOGRAPHY
DISINFORMATION HYPERCONSUME EMOTION UNABLE TO LOCATE DATA GO TO
INTERDISCIPLINARY DEVASTATION AESTHETIC EXPERIMENTAL POSTSTRUCTURAL REMIX
CREATE STEAL INFLUENCE END OF ORIGINALITY INTERNET DADA NOISE PROPAGANDA
CHALLENGE CONFUSION INFORMATION CAMOUFLAGE GUERILLA GRAPHICS LINE BUSY
RETRY DYNAMIC CONTRADICTION SUBSTITUTION AVANT-POP BETWEEN THE BORDERS
BINARY LANGUAGE TRANSLOCAL CONTINUUM PERCEPTION SURVEILLANCE WHAT YOU SEE
IS WHAT YOU SEE IS WHAT YOU GET IS WHAT YOU ERROR RELOAD PUBLIC COMMERCIAL
IMPLOSION UNDERSTANDING MEDIA VIRTUAL EXPLOSIONS OBJECT TECHNOLOGY MONEY
NETWORK EXTENSION THOUGHTS INTERACTIVE MASS MEDIA DIVERSITY REPRODUCTION
THINKING DOING ELECTRONIC DISOBEDIENCE PERFECTION OF MEANS AND CONFUSION OF
GOALS XOR ANALOGUE LANGUAGE NOR CHANGE COMPLICATED SAMPLING SEEING HEARING
FEELING REPRESENTATION INHABITS REALITY COPY PASTE ZEROS ONES PEOPLE
KNOWBOTS BUY OR DIE UNKNOWN KNOWLEDGE TRY HARDER DISSORT ADVERTISE DISTURB
ABSORB DISTRACT WORK FAST FORWARD PARAMETER CUTTING EDGE DISTURBANCE
ORGANISATION RHIZOME MANIPULATION SABOTAGE ACCELERATION DISEMBODIEMENT LOOP
PASSIVE LO ART GLOBALISATION PARADIGM RIGHTEOUSNESS AWAKE RESTATE
-------ERROR//:STACK [OVER]FLOW-------Ooo

/end of f1le: danke vor your attentshun!

vor more rad1kal in4ta¡nment -> http:///www.restate.org


<END OF TRANZMISSION>


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The 9th ARTLAB Original Exhibition "Connecting Re-Body"
 collaborated with artist Atsuhito Sekiguchi
 October 6-17 at Hillside Plaza, Tokyo

<on the work>

- Body existence represented through digital media

"Connecting Re-Body" shows a new vision of body, which people can sense
through digital IT. So far, human images have been expressed according to
their external features and/or expressions as shown in photographs. In
"Connecting Re-Body," however, bodies are not restricted to their visible
external appearances, but the invisible interaction and communication of
bodies is described. Physiological circulation inside bodies and exchange
of energy with  outside sources are data-processed for visitors to
experience different kinds of interactive communication with bodies.


- The phantasm of body data-processed

Looking back on the history of art  in all ages and countries, we
understand that there are variations on the phantasm of body; to see the
cosmos within the body, to express movements and flows, or to show things
transformed or attached which are attributed to physical characteristics.
Examining them closely, we can interpret them in a numerical formula
based on the logic of circulating and turning motion. In this exhibition,
visitors can have their bodies scanned by sensors, and experience different
internal and external interactions, and the accumulated data are processed
and virtually presented. The invisible world of body will reveal itself
gradually.


-  a variety of bodies through different sensors and interfaces

At different places in the exhibition site, visitors can have their bodies
scanned with different kinds of sensors for shape, voice*, temperature,
etc. for data-processing. These data are processed into the specially
programmed three-dimensional CG's in real time, and projected on the wall.
Visitors can have their changing bodies registered, and have access to them
due to individual voice qualities.

* The voice recognition system in this work employs the "UCanTalk"
engine developed by the Canon Research Centre Europe Ltd, which is
independent of languages to recognize registered voices.


<Atsuhito Sekiguchi>

Born in 1958. Since 1980, he has produced installations of his own style,
based on paintings. In 1990 he started to use computers to show the idea
of new cognitive systems. In "How to Make the Earth" series he
experimented interactive reconstruction of relationships between a
person's self and an imagery globe. In 1996, he became a professor of the
Gifu Prefectural International Academy of Media Arts and Science(IAMAS).
His researches center on digital conversion of classical artworks, visual
and tactile cognitive systems in VR environments, and the study/education
of media archives.


<exhibition data>

Title:  ARTLAB9 "Connecting Re-Body"
Artist: Atsuhito sekiguchi
Duration: October 6(Wed)  - 17(sun), 1999   11:00 - 20:00
Venue: Hillside Plaza, Tokyo
*admission free

Organized by:  Canon ARTLAB, Tokyo
Cooperation:    International Academy of Media Arts and Sciences (IAMAS)
                        Hillside Plaza
sponsorship: INTERGRAPH COMPUTER SYSTEMS
                     A PLUS CORPORATION
                     Side Effects Software, Inc.
                     NK-EXA Corporation


                                *                   *
For general inquiry, please contact;
Yukiko Shikata yshikata@crpg.canon.co.jp
URL: http://www.canon.co.jp/cast/


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Station Rose/STReaming  LIVE-WEBCAST Fahrplan____ No.73 & 74


Dear Gunafa Netizen!
here is the new Station Rose webcasting Sende-Fahrplan at
http://www.stationrose.com

(A) Webcast No.73:  THU/23.9.99/9pm CET- equinox edition.
______________________________________________
Station Rose free form celebration of the autumnal equinox- a time of
balance & harmony- in all things:  equal day & night, dark & light, real
life & cyberspace, online community & friends around the block,  soundz &
visuals, .... all that balance- live @home.


(B) Webcast No.74: FRI/24.9.99/9pm CET
________________________________
multimedia jam session. rehearsal for the forthcoming tour, testing,
improvising & updating the set. The Station Rose -  a multimediaband in
action, soon on the road & online since 91.

During both webcasts we shall keep the STR-Community doors open:
The Frankfurt Conference at <http://www.minds.com> lets you chat & post.
Come in !
______________________________________________________________________
The actual "STReaming_Gunafa_99_Schedule" can be found at www.stationrose.com.
STR is one of the 1st web_stations in germany/europe, sending Art on a
regular basis. Important: as the sessions are realtime multimedia art, they
are not archived.
______________________________________________________________________

______plus extra bonus:      WIN ! WIN ! WIN !

this is a short message.
this is is the Belohnungssystem.
this lets you win, if speed is your thing.

vienna has a new area for the artscene. more & more galleries move in
there, as well as clubs.
how hip & trendy. station rose was right there in the middle of it in
88-91, making it the place to be end of the 90ies, among a few others. just
recently we came back and scanned the situation:
- 2 new galleries just around the block of the original station rose, as
well as  a new club only 20 meters away. tendency:  more & more & more to
come.

so here is the question,and the right answer makes you a winner:
<what was the address of station rose headquarter in vienna>?

YOU WIN  the new cd <playing now> by Station Rose
- sent to you by comfortable & safe snail mail - directly to your house, if :
1) you know the street as well as the exact number.
2) you have - besides knowledge - speed: you must be among the first 11
replies.
3) you mention since when you are online (year/month)

looking forward to your response!

Station Rose
- online since 91.


----------------------------------------------------------------------
STATION ROSE hypermedia_art (Elisa Rose/visuals & Gary Danner/music)
           - Frankfurt (headquarter) - Cyberspace  - Vienna.
*  webcasting in realtime -20sec <http://www.stationrose.com>
* "Playing Now" CD, "live @home" VINYL out now; "PN-world tour" starting 10/99
* "1st decade" (1988-98) - Das BUCH. edition selene. ISBN: 3-85266-082-3
* STR-Community: the Frankfurt Conference <http://www.minds.com>
----------------------------------------------------------------------


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CALL FOR PAPERS
Please circulate!

What’s your Value?

how Long are you?
how Happy are you?
how Heavy are you?
how Healthy are you?
how Expensive are you?
how Easy are you?
how Intelligent are you?
how Beautiful are you?
how Boring are you?
how Strong are you?
how Real are you?
how Sexy are you?
how Honest are you?
how Employable are you?
how Soft are you?
how Good are you?


Monomedia Berlin: VALUE
An international conference on value and values in new media

May 12-14, 2000


The monomedia value conference is part of the monomedia programme at the
Berlin University of the Arts (HdK). The conference is directed by Prof.
Willem Velthoven.


We often insist that many qualities are not quantifiable.

Especially  those qualities that are easily associated with our values.

We are moving towards a society and a culture that is totally mediated
by computing machines.

So without understanding how to value our values,

our media will not be able to take them into account.

We have to understand value and values to be able to calculate a
meaningful culture.

We have to work with value to create a truly interactive art.

And shopping won’t be much fun without it either.


You are invited to submit proposals for presentation at the first
international monomedia conference on value to draw together the
creative, scientific and theoretical sides of new media.

We are looking for lecture like presentations as well as demonstrations
of creative and artistic productions.


If you are interested in presenting at monomedia berlin: value, please
send an abstract (up to 500 words) outlining the nature and subject of
the lecture/session/event. Proposals for demonstrations may take any
form that might be suitable.

The material is required by October 31, 1999. Please address all
proposals, or any queries about the conference, to:

Hochschule der Kuenste
Susanne Jaschko
the monomedia project
PB 120544
10595 Berlin
Germany

Emailed abstracts are preferable, and may be sent to:

sj@hdk-berlin.de

If you would like to be updated about the conference and other monomedia
activities, you can subscribe to our monomedia mailing list on:
www.monomedia .org


Prof. Willem Velthoven
the monomedia project


Everything of value is vulnerable.
LUCEBERT

Nowadays people know the price of everything and the value of nothing.
OSCAR WILDE

New media is all about choice. Every choice is driven by value.
BERT MULDER


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in the framework of SEAFair '99
e-FUSION: Hands-on VRML Workshop
23.09. - 30.09. Hotel Granit, Ohrid, Macedonia
Workshop Instructor:    Darko Disovski
Workshop Assistants:    Goran Slakeski and Aleksandar Kolov

Twenty one artists from Macedonia, Bosnia, Croatia, Moldova, Estonia,
Ukraine, Azerbeidzan are participating in the workshop
Hands-on VRML/Web3D which represents the initial stage of SEAFair '99.
(The Web 3D series workshop has already a 3 years old history and has
been initiated in collaboration with VAN GOGH TV.)

The workshop serves as a theoretical and practical introduction in the
VRML language and investigates the development of concepts for work in
VR through practical demonstration of the basics of the modelling, textures,
bases of 3D animation and audio support, and creation of VRML worlds.


-
Melentie Pandilovski
Contemporary Art Center - Skopje
++389.91.133.541
mpandil@soros.org.mk
www.scca.org.mk
-


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an unofficial open story of art/activism/alternative practices on
line--<bold>in progress.</bold>


please send links, corrections, additions


http://www.calarts.edu/~line/words.html


http://www.calarts.edu/~line/history.html


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In the period September  25-28 in the premises of the Museum of the City
of Skopje two workshops  will take place on the theme:
"Technology in Perfomance" & " Life Internet Performance Structure" (LIPS).
The leader of these workshops will be Cathy Weis/ USA, coreographer and
video- artist.

The organizers of this workshops are:
PARC MULTIMEDIA
CONTEMPORARY ART CENTER  - Skopje
NOVA Produkcija.

12 artists will take part on this seminar from the field of video-art, dance,
theater, and music in Macedonia, which were selected by  Cathy Weis.
The others who are interested will be able to passively attend the
workshop.

---------------
Melentie Pandilovski
Contemporary Art Center - Skopje
Orce Nikolov 109, Skopje
mpandil@soros.org.mk
www.scca.org.mk
----------------


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Dear net.art participant,

You are invited to take part in a new net.art project.

http://www.irational.org/ccnow/

Hope you are well

Heath
--

You might like to take a look at:

chalk tags. - http://www.irational.org/heath/tags/


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The ONLINE issue of Performance Research should be out on the stands in
early October. To find out more about the journal visit Routledge's
homepages at http://www.routledge.com -- single issues should be available
in your speciality bookshops. I have also been informed they can be
purchased from the Centre for Performance Research -- the website
pertaining to the journal is here:
http://www.aber.ac.uk/~cprwww/perf_res/index.htm

['On Line' Supplement: With generous support of the Arts Council of
England, 5 new digital artworks were commisssioned for a CD-Rom to
accompany the issue. Artists: Simon Biggs, John Cayley, Jo Hyde, Jane
Prophet and Louise Wilson. Curators: Ric Allsopp & Scott deLahunta.
Production: Huw Williams]

'On Line', Performance Research Volume 4, Number 2  (Summer 1999). Edited
by Ric Allsopp & Scott deLahunta

Emerging digital media, information and communications technologies are
changing the ways in which we understand and experience time and space,
place and body. These developments challenge us to redefine existing
strategies and forms of performance, and to create fresh approaches and
alternative environments for performance making and composition. 'On Line'
explores these changing conditions as they relate to performance practice
and discourse.

Contents:

*Editorial / Ric Allsopp & Scott deLahunta
*Death, Digitalization and Dys-appearance / Maaike Bleeker
*A Microchip Inside the Body / Arlindo Machado
*'Jadi Jadian': Invisible Theatre / Paul Carter
*Utterance 1: Fighting My Own Endemic Technophobia / Guillermo Gomez-Peña
*Shells that Matter : The Digital Body as Aesthetic/ Political
Representation / Harald Begusch
*Utterance 2: Performance Technology and the Oracle / Mark Coniglio
*Actions in Virtual Space / Marina Grzinic
*Strategies, Tactics & Resolutions in 1999 (Artist's Pages) / Marko Peljhan
*Utterance 3: If Only I Could Touch the Mouse, My Life would be Perfect /
Amanda Steggel
*Impossible Becomes Possible / Bojana Kunst
*Utterance 4: Relational Architecture / Rafael Lonzano
*A Conversation about 'Jet Lag': Diller + Scofidio/ Marianne Weems /
Jessica Chalmers
*Utterance 5: Mesh Performance Partnerships / Susan Kozel & Kirk Woolford
*Dance Geometry / William Forsythe & Paul Kaiser
*Utterance 5: Live and Media Performance / Richard Loveless & Lizbeth Goodman
*The Laughing Dead / Andres del Bosque, Maximiliano Salinas & Enzo Cozzi
*Utterance 6: The Talking Cure in Hypermedia Production / Adrianne Wortzel
*Writing for the Cyborg - Part 1 / Nancy Reilly
*Utterance 7: Letter to an Unknown Thief / Guillermo Gomez-Peña
*Diller + Scofidio & Builder's Association (Artist's Pages)

Review/ Prototype Section:

*'24 hours' / Ian Maxwell/  DeQuincy-Lynch
*'Keystrokes' / Sher Doruff
*'ChoreoGraph' / Michael Klein
*Stills of the Night - 'Nightwalks' and Frozen Palaces' / Andrew Quick
*Book Reviews / Claire MacDonald & Alexandra Carter
*Archive Review / Ric Allsopp & Scott deLahunta

---------------------------------------------------==|
---------------------------------------------------==|
Scott deLahunta at Dartington College of Arts
[13 September 1999 - 12 September 2000]

email: sdela@ahk.nl
mobile: +44 (0)797 741 2060

Dartington College of Arts
Totnes, Devon, TQ9 6EJ, UK
tel: +44 (0)1803 862224
fax: +44 (0)1803 863569
http://www.dartington.ac.uk/

---------------------------------------------------==|
---------------------------------------------------==|
  Writing Research Associates
  http://huizen.dds.nl/~sdela/wra

  Dance and Technology Zone
  http://www.art.net/~dtz
---------------------------------------------------==|
---------------------------------------------------==|


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x-00
Lorient / FR
March 13th-19th 2000
http://www.x-arn.org/x-00/

 [open topics]
 Which location for human being in cyberspace ?
 Rising artistic practices on  digital communication networks.
 The focus will be especially set on the connections of physical public
 locations and Internet's streaming flux of data. Moreover, emphasis will
 be put on transdisciplinarity within Art and Technology.

 The festival itself is being "worked in progress" on the Internet.
 You can follow the process and contribute to the development of the issues
 by subscribing to this mailing-list: 00@x-arn.org.
 [subscription : 00@x-arn.org?subject=subscribe]


 CALL FOR PROJECTS
 ----------------------------------------------------
 1. Installations / Devices
 ----------------------------------------------------
 - x-position
 - Galerie Le Lieu [Art galery]
 - March 16th- April 9th 2000

 What can be considered as a commitment on the Internet ?
 How can it be translocalised in a physical public exhibition space ?

 Installations / Devices are expected to deal with this noticeable duality
 between a network activity (global) and its transposition / extension as
 an exhibition in a galery (local).

 ----------------------------------------------------
 2. "Network Interface" : call for projects
 ----------------------------------------------------
 - Mediatheque de Lorient [Lorient's Digital Library]
 - March 13th-19th 2000

 "Network Interface" is a call for projects for an hybrid public space. In
 this case, the public space is Lorient's digital library which has 20
 connected Pcs at the disposal of the audience.
 Therefore, the selected project will have to connect its online reality
 with this determined public access although remaining of course autonomous
 of this physical location.
 The online proposal can be extended by an installation* or by a punctual
 performance in the digital library's auditorium (screening facilities).

 * Installation/device will be located in the digital library 's entrance
 and should consider contingencies such as :
 audience comings and goings, many people passing through (not necessarily
 involved in New Technologies), strong daylight, necessarily silent devices
 (or headphones).

 Furthermore, the digital library's training space will offer access to the
 websites and CD ROMs selected for the festival with 12 connected PCs .

 ---------------------------------------------------
 3. Workshop
 ---------------------------------------------------
 - Maison de l'Etudiant [House of students]
 - March 13th- 19th 2000
 The House of students  will host a public workshop set up by a group of
 artists. (6 connected PC)
 This workshop will be the opportunity for this selected group to develop
 an
 online activity project focused on communication and data exchange
 (extensive use of e-mail / mailing list/ irc...).

 ---------------------------------------------------
 4.  Conferences / lectures / performances
 ---------------------------------------------------
 - U.B.S [University of South Britanny]
 - March 17th-18th 2000

 Two days of conferences to explore transdisciplinarity between research
 fields and possible actions using the digital networks.
 Conferences / lectures  can be processed by various medias to renew the
 traditionnal conference format (ie : device and/or performance).

 ---------------------------------------------------
 // application forms  :
 http://www.x-arn.org/x-00/
 deadline : Nov 30th 1999
 ---------------------------------------------------

 Actions Réseaux Numériques
 arn@x-arn.org

 ______________________________________
 [x-00]
 file://coordination  : MAP
 http://212.234.37.180/
 (in activation : restricted access)

 file://organisation : ARN
 Actions Réseaux Numériques
 13 rue beauvais 56100 Lorient (FR)
 +33 (0) 2 97 64 58 18
 http://www.x-arn.org


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    I have the pleasure to annouce my new project "Pump your page":
Immortalize your homepage!!! Pump your page !!! Transform it to a true
webpainting !!!
An authentic white iridescent monochrom !!!
Same Format than a 14'' screen.

You want to know more ?

Go there !
http://pumpyourpage.tsx.org

Hearing from you soon,

all my best,

Valery Grancher
vgranger@imaginet.fr
http://nomemory.tsx.org


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Announcing a new URL, addressing persons with a female first name...
CHECK IT OUT!
*********************************************************************

Have you ever dreamed of seeing works of art and theory on Mars?
Now you can!

The first interplanetarian exhibition space on Mars is

THE MARS PATENT
www.mars-patent.org


THE MARS PATENT is an interplanetarian art project founded by Helene von
Oldenburg and Claudia Reiche.
THE MARS PATENT invites you to experience culture on a fascinating and
promising site, the red planet, Mars. A recently developed device, the
'High Reality Machine' (HRM_1.0n) allows to place your things on THE MARS
PATENT's Mars Exhibition Site (MES):
THE MARS PATENT offers the MES to you as a free experimental area and
invites every thing which does not fit on earth but tends towards the MES.
(A thing? A real thing that could be your idea, your object, your work,
your project, your desire...)
THE MARS PATENT will take the full risk of handling, transporting and
sustaining the concepts and objects up to MES, but can't take any
guaranties for the condition on earth.
So: Send your projects to THE MARS PATENT!

STARTING WITH:
Ellen Nonnenmacher "Strickliesl"  9-26-1999

EXTRA: You'll find 24-hours live video reports from Mars, showing the
situation on the MES!

For more information visit THE MARS PATENT
www.mars-patent.org

or mail to:
office@mars-patent.org



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