<nettime> [madre, (someone), antiorp, madre]

nettime's_digestive_system on Wed, 12 Aug 1998 05:34:40 +0200 (MET DST)
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<nettime> [madre, (someone), antiorp, madre]
To: nettime@Desk.nl
Subject: <nettime> [madre, (someone), antiorp, madre]
From: "nettime's_digestive_system" <nettime@basis.Desk.nl>
Date: Wed, 12 Aug 1998 04:32:16 +0100
Sender: owner-nettime-l@basis.Desk.nl
date: Mon, 10 Aug 1998 23:14:52 +0200
from: Frederic Madre <fmadre@wanadoo.fr>
subject: 3 thoughts about net criticism (by order of ascii weight)

1) hypermedia critics must do it the hypermedia way, or die.

2) forget 2.0: 0.0 is the right direction

3) moderation has to go

f.
http://pleine-peau.com

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 

From: overlap+matrix@Isotope.com
Date: Tue, 11 Aug 1998 02:46:38 -0500 (CDT)
Subject:  

DATA

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 

Date: Tue, 11 Aug 1998 07:42:12 -0600
From: antiorp@tezcat.com (=cw4t7abs)
Subject:       

>for pleine peau, theories are worseless.


m9ndfukc == beszt.lesz


>suggested crash course



               i1    +   - =10f=10=10=103.mazk!n3nkunzt.m9ndfukc macht fre!




Think: smaller, faster, lighter. dedicated to the power of that parenthesis:

(  == generate m!d! data 4r=BAm soundhack [x] funkt!ons

   + m9ndzmak art rout!nz
           \\ \    //
   senszlesz. !nf!n.beep rout!n
             \\ \//      /
   senszlesz. zkreenloop rout!n
              //\\ \   /
   senszlesz. zkreenloop rout!n
            //    \\ )\
   senszlesz. zkreenloop rout!n
          ((       /\\  \
   senszlesz. zkreenloop rout!n
           \\    (   ))   \
   senszlesz. !nf!n.beep rout!n
             \\   \//
   senszlesz  m_9n-df_uk rout!n
               \\   \\
                \\

                                 \
                                 ]|
                  =D8 f =D8 =D8 =D8 3 . [m 2 z k 1 n 3 n k u n z t
                               ]|
                                |
                                 \
                                 ]|
                  =D8 f =D8 =D8 =D8 3 . [m 2 z k 1 n 3 n k u n z t
                               ]|
                                |
                                 \
                                 ]|
                  =D8 f =D8 =D8 =D8 3 . [m 2 z k 1 n 3 n k u n z t
                               ]|
                                \




0c3.0+2 sh.funkt!on.module
download urL
- http://www.god-emil.dk/=cw4t7abs/0f0003/ztpd/lakk.shtml
kode sekt!on


-


0c3.sound.rap!dl+e generatd.sound.eczampl.
http://www.god-emil.dk/=cw4t7abs/0f0003/b1257+12/0c3_eczampl.mp3
m9ndkonta!nr sekt!on



0




// =_?

mot!vatd.adapt!v.bhav!our = funda.mentl 2 !ntell!genss
--learn!ng bhav!ourz - 3 parad!gmz (c.note 1)
           -s!ngl.st!muluz.prezentat!on
---------------------------------------------------------------------|
           -ekzposur. 2 relat!onz among. st!mul!
---------------------------|                                         |
           -ekzposur. 2 relat!onz b.tween rezpons.z +
st!mul!                    |                                         |

|
|-------------------------------|

|
|                                         |

|
|                                 hab!tuat!on.bhav!ourz

|                                                            |

|                                                            |

|                                            klass!kl.kond!t!on!ng
                                                   |
                              !nztrument.l kond!t!on!ng




//note 1 = parad!gmz sukc







-
please read this carefully and\or attentively prior to utilizing the softwar=
e.
if you do not agree to reading this license prior to utilizing the software
or if you do not fully or in part understand the terms or syntax of
this license prior to utilizing the software - you are not agreeing to this
license.
if you do not agree to the provisions of this license you
are agreeing to not utilizing the software.
by utilizing the software you are agreeing to be bound by
the terms of this license.

    you may use the software on any computer owned by you
    but you may not utilize your m9nd konta!ner for this purpose

    you may not reverse engineer. disassemble or modify
    the software and accompanying matter.

    this license is only effective until terminated. should you decide
    to not comply with the provisions of this license - the license will be
    immediately
    terminated.  upon termination of this license you must destroy
    the software + all accompanying binary matter.

    you agree to utilize the software + all accompanying binary matter
    at your sole risk. the software is provided as is and without warranty
    of any kind.
    you assume the entire risk as to its quality.
    0f0003\punktprotokol makes no warranties. express or implied. including
    but not limited to the fitness of the software for a particular purpose.
    punktprotokol does not warrant that the software will be error free.
    should the software
    prove defective you and not punktprotokol assume the entire cost for
    all necessary
    corrections.

    under no circumstance including negligence shall 0f0003\punktprotokol
    be liable for any incidental. special or consequential damages that
    result from the use
    or inability to use the software or related binary matter.

    the warranty and terms set forth above are exclusive and in lieu of all
    others.
    oral or written. express or implied. no amendment to or modification of
    this license will be
    binding unless in writing and signed by an authorized representative of
    punktprotokol.


k o n t i n u e
|||||||||||||||||||||||-------------------------
| b 1 2 5 7 + 1 2 | v. 0+2 soundhack.module
|||||||||||||||||||||||-------------------------


note --  in the data out selection field an option exists for b1257+12.
         if you have access to b1257+12 you will notice
         that it does not operate with the current release of b1257+12.
         it will operate with b1257+12  v.0+2  which will be
         released this month.
note ++  there is 0+0 tekk || emot!onal support 4 this release.

__________
mode.d.utilizat!on:|?|
_______________________+++++++-- s m _


step 00 - click open
step 00 - select a soundhack generated function [text format supported - onl=
y]
step 00 - click button adjacent to open button
step 00 - setup midi config
step 00 - setup data gating . transpose . etc
step 00 - setup number generator mode of operation.
                 . small menu = mode select
                 . next box = min value to cycle from
                 . next box = min value to cycle to
                 . next box = step size
                 . next box = rate
step 00 - click start
step 00 - lokate other functions


|||||||||||||||||||||||-----------------------
  0 f 0 0 0 3 . m 2 z k ! n 3 n k u n z t
|||||||||||||||||||||||-----------------------
d ! z . f u n k t ! o n a l . a r t . k =BA d e .

k o n t a k t 0 +   =cw4t7abs < antiorp@tezcat.com>
k o n t a k t - 2   http://www.god-emil.dk/=cw4t7abs/0f0003/ztpd/lakk.shtm=
l
k o n t a k t 0+2  http://www.god-emil.dk/=cw4t7abs

<HR ALIGN=LEFT>=cw4t7abs _\- 0f0003..mask!nenkunzt.m9ndfukc.98o. \+\ apr=
es
<A HREF="http://www.god-emil.dk/=cw4t7abs/0f0003/ztpd/lakk.shtml"
onMouseOver="window.status=' [  m 9 n d f u k c . 9 8 o ]'; return
true";><blink>[]</blink></A>> </FONT><HR ALIGN=LEFT>
</BODY></HTML>


[cv]  v ! R u s |=7F=7F + | p u N K t  . p R =F8p 2 g4 n d2 z !5 t 3m m.-e

0c3_sndhak.module = freely distributable if all binary matter
included in original download = left intakt ;
if one konsiders self a supporter of dze yankee swastikka routine

==  yeah. ou yeah. neu yauk. ou yeah.

k o m m u n ! z t

.. a n t i - b =BA =BA m

               b z s p

pierrot le fou . marianne renoir

godard. scene 42+5

-

&|
if one = utilizing produktz from bias-inc pleaze
move entry [0c3_sndhak.module ] 2 trasch - takk


m@ <mhoessli@cadre.sjsu.edu>

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/\/\/\/\/\/\/\/\/\/\/\/$$$$$$||||\      \|*||$$$$$$/\/\/\/\/\/\/\/\/\/\/\/
/\/\/\/\/\/\/\/\/\/\// $$$$$$|\ *        * \|$$$$$$ //\/\/\/\/\/\/\/\/\/\/
_______________________*__________________________*_______________________
Societ  Di Diluzione Del Segn001<<]sDDs[__elangeS leD enoizuliD iD  teicoS
Societ  Di Diluzione Del Segn002<<]SddS[__elangeS leD enoizuliD iD  teicoS
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Societ  Di Diluzione Del S$$$003<<]sDDs[__elangeS|leD=enoizuliD=iD===
teicoS
Societ  Di Diluzione Del S$$$004<<]SddS[__elangeS|leD=enoizuliD=iD===
teicoS
Societ  Di Diluzione Del $$$$005<<]sDDs[__elangeS|leD_enoizuliD=iD==te=
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Societ  Di Diluzione Del $$$$006<<]SddS[__elangeS|leD|enoizuliD=iD==te=
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Societ  Di Diluzione Del Se%%005<<]sDDs[__elangeS_leD|enoizuliD|iD||teicoS
Societ  Di Diluzione Del Se%%006<<]SddS[__elangeS_leD|enoizuliD|iD||teicoS
Societ  Di Diluzione Del Seg%007<<]sDDs[__elangeS_leD|enoizuliD|iD||teicoS
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++++++++++++++++++++++++++++++%%%%%%++++++++++++++++++++++++++++++++++++++
                               %%%%%%%%%%%%%%%||||||||||||||||||__====
=====
    0   DEF FN A(MODULE) |_________________|||2|=|)ELUDOM(A|NF_FED===
=0====
    1 PRINT "_"          $$|____________||||||||||||||||||_"_"=TNIRP=1=
====
    2 POKE 36879,238     $$$$|_______|||||||||||||||||832,97863=EKOP=2=
====
    5 DIM MANIFE$TO      $$$$$$|___||||||||||||||||||__OT$EFINAM=MID=5=
====
  10 PRINT "ON '?' PROMPT,$$$$$"...NRUTER|SSERP|,TPMORP='?'=NO"=TNIRP=
=01==
  20 PRINT : PRINT : PRINT$$$$$$||||||||||||||||TNIRP=:=TNIRP=:=TNIR=
P=02==
  30 FOR SIDE = 1 TO 2    $$$$$$||||||||||||||||||__2=OT=1===EDI=
S=ROF=03==
  40 FOR TRACK = 1 TO 4   $$$$$$_||||||||||||||||||4_OT=1===KCART=
=ROF=04==
  50 READ MANIFE$TO      $$$$$$|___||||||||||||||||||__OT$EFINAM=DAER=05=
==
  60 PRINT "SIDE" ; MAN ;;$"OTSE_FI_"|;"KCART|,"|;|NAM|;_"EDIS"=TNIRP=06=
==
              )KCART ,EDIS(OT$EFINAM____||||||||||||||||||__======
=========
  70 INPUT G$            |_________________||||||||||||||||||$G=TUPNI=07=
==
  80 PRINT : PRINT             %%%%%%%%%%%%%%%||||||||||TNIRP|:|TNIRP=08=
==
  90 NEXT TRACK               %%%%%%%%%%%%%%|___|||||||||||KCART|TXEN=09=
==
100 NEXT SIDE                %%%%%%%%%%%%|________|||||||||||EDIS|TXEN=001
110 PRINT "_"                %%%%%%%%%%%|__________||||||||||"_"|TNIRP_011
120 POKE 36879,57           %%%%%%%%|_______________|||||75,97863|EKOP_021
130 FOR X = 1 TO 1000      %%%%%%|___________________0001|OT|1|=|X|ROF|0=
31
140 PRINT "SddS MANIFE$TO" %%%%%%|______________"OT$EFINAM|SddS"|TNIRP|041
150 NEXT X                  %%%%%%%%|_______________||||||||||||X|TXEN_051
200 DATA "NO IMPORTANCE OF ME%%%%%%%%%,"GNINAEM_FO_ECNATROPMI|ON"|ATAD_002
 ,"NOISNETERP     "MEANING IS%%%%%ECUDORP|OT_SI_GNINAEM"||||||||||||__===
==
                   "AESTHE,"ECIDUJERP%A%ERA%SCITEHTSEA"|||||||||||__===
====
                   "Societ  DileD%enoizuliD%iD||teicoS"|||||||||__====
=====
Segnale__[sDDs]"         |_________________|||||||||||||||"]sDDs[__elangeS
300 DATA "Non c' Deve DellI|aznatropmI_'nusseN|alleD|eveD|'c=noN"=ATAD=
=003
SigniDiacitetsESignificat$$$$|______'L|errudorP|otacifingiS"=,"otacifingiS
PretensiDnenoigileR      $$$$$$|___||||||||||||||||||__anU=>"=,"noisnete=
rP
PrejudEHT ROFnYTEICOS",   $$$$$$_||||||||||||||||||,"xirtaM=nU=>=ecidu=
jerP
DILUTION OF              "LANGIS||||||||||||||||||__=========
===FO=NOITULID
                          $$$$$$||||||||||||||||||__=========
==============
                          $$$$$$_||||||||||||||||||__========
==============
                         $$$$$$|___||||||||||||||||||__========
============
]]]<]]]]]]]]]]]]]][[[>[[[[[[[[[[[[[[[[[[[[[[[]SddS[]]]]]]]]]]]]]]]]]]]<]]]
__Societ  Di Diluzione De$$|____________elangeS|leD|enoizuliD=iD==teic=
oS__
]]]>]]]]]]]]]]]]]][[[<[[[[[[[[[[[[[[[[[[[[[[[]sDDs[]]]]]]]]]]]]]]]]]]]>]]]






           m!au










The science of noise  - -
http://www.god-emil.dk/=cw4t7abs/0f0003/ztpd/audio.html

- the precise construction/restructuring of noise in an environment
inhabited by representation, relativization and allusion enables the
analysis of the constant barrage of generated noise interpolated with
abstract and vocal social commentary. If the decisive level of social
analysis is in language then this is highly indicative of the move of the
higher societies toward digitization. A collapse of unification through
multiplicity, KROP3ROM||A9FF is an exponent of opposing ideals, of
postmodern artistic and political thought.


KROP3ROM||A9FF is a language game. However the rules are either entirely
non-existent or require a constant updating of intellectual and social
systems knowledge. Most certainly, the positions of speaker (the music
itself), the listener and referent of information (in this context
information replaces the narrative element) create a relation of mutual
exteriority.  A cohesive communicative vehicle it is not, where as a form,
or structure within which a communicative discourse can take place, it
excels if the listener is competent. This work is unavoidably incoherent to
the ill-informed.


Here, the discursive temporality is circular, not linear like most
scientific discourse, and like most complicated musical forms only upon
repeated listening is the information relayed with any clarity. In this
context the work takes on credibility as a commentary on social forces (the
darker nature of much of its length suggests condemnation and support of
fascist values) and scientific language (where it plays its own game - it
is incapable, like science, of legitimizing other language games). The
status of legitimization takes on two tendencies, each of which appear to
extend in conflicting directions. First, it develops its own self
justification with its internal imagery and compositional techniques of
unification through thematic structures (rhythmically and referentially),
confirming its musical cohesion. Secondly, science (the science of computer
music, of social commentary, of politics and economy) expands its relation
to society, or the instrumentality of society. Computerization enables both
these opposing tendencies and Kroperom is circular in its internal
referentiality.



The theory of computerization has provided a model for the system control
that equates contingency with noise. The ideal: to eliminate contingency
and maximize control by the system. The elimination of contingency here
points to the reprezentationality in KROP3ROM||A9FF of social currency.
Perhaps most relevant is the appearance of a sample of the system control
machine Alpha60 from Godard's Alphville. The control of society by a
mainframe computer and its inevitable faults made only apparent with the
arrival of a man from an outside 'democratic' society. Like the
multiplication of sites of power and resistance on the .net and currents in
modern politics and economic management, there seems an effort to
complicate the social and extricate it from the theoretical clutches of
analytic and dialectic reason. KROP3ROM||A9FF redefines noise structure as
a locus of contingency, absence of subject and linguistic uncertainty.



This work exemplifies certain issues brought about due to the emergence of
computerization. A powerful discourse in systems management, as complicated
and formulaic as Hesse's Glass Bead Game, and probably as vague. Though it
may express the foundational theme: that our existence is becoming
increasingly characterized by machines, it challenges the instability of
digitization while remaining within the set itself. A degree in higher
mathematics would be desirable to fully comprehend the chaotic structures
of KROP3ROM||A9FF. The macro points to frameworks similar to fractal
patterns, demonstrating order and presence of pattern in apparently
irregular systems.



In KROP3ROM||A9FF there is no centered subject directing the listener
through a narrative, more a multidimensional logic of deleuzian strata and
assemblages, recalling the disfunctionality of concept and subject. Is
KROP3ROM||A9FF the disciplined consciousness of a scientist or social
theorist? The highly developed non-linearity contextualizes the binary
logic of the current systems as weak, proclaiming an anti-authoritarian
stance. Clearly acknowledging the intertextuality that constitutes social
and musical structures as a proliferation of linguistic instability giving
rise to increasingly unintelligible tendencies, KROP3ROM||A9FF is a radical
non-centered work mitigating the suspect notion of freedom as the flux of
desire.






0f0003||m2sk!n3nkunzt.m9ndfukc++
- hTTp://194.19.130.194/=cw4t7abs





linkx 2 additional 0f0003 material inklude :


- appl!kat!onz


ftp://ftp.ircam.fr/pub/forumnet/max/FAT/applications/0f0003.sea.bin
+ http://www.god-emil.dk/=cw4t7abs/0f0003/ztpd/0009.html
+ http://www.god-emil.dk/=cw4t7abs/0f0003/ztpd/lakk.shtml

- f!lm maTTer

tezcat.com/~antiorp/6f6e-1700k.mov
tezcat.com/~antiorp/21-990k.mov
tezcat.com/~antiorp/61-550k.mov
tezcat.com/~antiorp/63-2200k.mov
tezcat.com/~antiorp/74-947k.mov
tezcat.com/~antiorp/75-1200k.mov
tezcat.com/~antiorp/97-2000k.mov
http://194.19.130.194/spCa/filez/krop3rom_a9ff-m9ndfukc.mov
http://194.19.130.194/spCa/filez/krop3rom_a9ff-m9ndfukc_01.mov


- data no!sz .01

http://194.19.130.194/spCa/filez/3t0y.zucx.sit.hqx
http://194.19.130.194/spCa/filez/-cw4t7abs_4ob1tenkr1pt1on.sit.hqx


- data no!sz .00

http://194.19.130.194/spCa/filez/kr0p3r0m-a9ff_trk-38.0.5.mp3
http://194.19.130.194/spCa/filez/kr0p3r0m_-a9ff_midi-t3kxt.mp3
http://194.19.130.194/spCa/filez/kr0p3r0m_a9ff.trk97+.mp3
http://194.19.130.194/spCa/filez/krop3rom_a9ff-humanzsukc.mp3
http://194.19.130.194/spCa/filez/krop3rom_a9ff_trk47.mp3
http://194.19.130.194/spCa/filez/krop3rom_hiv-sekuensz.mp3
http://194.19.130.194/spCa/filez/ppc.71oo.8o_rom.data.mp3
http://194.19.130.194/=cw4t7abs/=cw4t7abs.mp3

kurrent krop3rom || a9ff v.0+2 offer - anti decibel rekords
http://www.god-emil.dk/=cw4t7abs/0f0003/ztpd/0009.html


- !nternet

tezcat.com/~antiorp/punkt-||_protokol.html
http://194.19.130.194/spCa/zweite
http://tezcat.com/~antiorp/index3.html
http://194.19.130.194/=cw4t7abs/=cw4t7abs.mp3


- purchasez + etc

http://order.kagi.com/?3wj
http://www.god-emil.dk/=cw4t7abs/0f0003/ztpd/lakk.shtml



>-------------------+++++------
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>e t c>-------------------+++++------
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>e t c>-------------------+++++------
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>e t c>-------------------+++++------
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>e t c>-------------------+++++------
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>
>e t c




) A post was sent to 800 or so people. It was called
"=10f=10=10=103.mazk!n3nkunzt.m9ndfukc macht fre!"


- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 

Date: Tue, 11 Aug 1998 21:52:43 +0200
To: nettime-l@Desk.nl
From: Frederic Madre <fmadre@wanadoo.fr>
Subject: 3 suppressed thoughts about net criticism (by order of ascii
  weight)

too fast ?

1) hypermedia critics must do it the hypermedia way, or die.

2) forget 2.0: 0.0 is the right direction

3) moderation has to go

f.
http://pleine-peau.com

too small ?

1) hypermedia critics must do it the hypermedia way, or die.

2) forget 2.0: 0.0 is the right direction

3) moderation has to go

f.
http://pleine-peau.com

too light ?

1) hypermedia critics must do it the hypermedia way, or die.

2) forget 2.0: 0.0 is the right direction

3) moderation has to go

f.
http://pleine-peau.com

not fast enough ?

1) hypermedia critics must do it the hypermedia way, or die.

2) forget 2.0: 0.0 is the right direction

3) moderation has to go

f.
http://pleine-peau.com

not small enough ?

1) hypermedia critics must do it the hypermedia way, or die.

2) forget 2.0: 0.0 is the right direction

3) moderation has to go

f.
http://pleine-peau.com

not light enough ?

1) hypermedia critics must do it the hypermedia way, or die.

2) forget 2.0: 0.0 is the right direction

3) moderation has to go

f.
http://pleine-peau.com

not published.

-----End of forwarded message-----
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