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Table of Contents:
[sydney] DISORIENTATION
"shannon o'neill" <alias@aliasfrequencies.org>
Convivial_x_art____(passdocoff_II_)
innestogreffe <innestogreffe@libero.it>
Capitalism Lab
"Lars Iyer" <Lars.Iyer@newcastle.ac.uk>
Negotiations: upcoming screenings
Gita Hashemi <gita@ping.ca>
THIS IS NOT A :Address Correction
Sonar Radar <intothegloaming@yahoo.com>
Invitation Connected Club 6/19th The dynamic scale of interactive space
Floor van Spaendonck <floor@waag.org>
Park Fiction presents: Unlikely Encounters
florian schneider <fls@kein.org>
sound performance Tuesday June 17/smart cinema
"SMART Project Space" <info@smartprojectspace.net>
------------------------------
Date: Sat, 14 Jun 2003 12:57:13 +1000
From: "shannon o'neill" <alias@aliasfrequencies.org>
Subject: [sydney] DISORIENTATION
D I S O R I E N T A T I O N
live electronic audiovisual performance
Wednesday June 18
@ Lanfranchis Memorial Discotheque
Lvl 2, 144 Cleveland St, Chippendale
From 8pm. $5 donation.
Featuring:
Severed Heads
Snagglepussy
Julius Ambroisine & Aaron Hull
SEVERED HEADS span the period from long before sampling (we
used tape) to the very latest in lap top pop. We inspired the people
who inspired you! Having started an online community before the
Internet (on Fidonet), made the first CDROM by an Australian record
label (on Sony) and created a MP3 disc BEFORE MP3 was EVEN
INVENTED (using MP2 cool huh?) the Heads are now gearing up for
a set of DVDs, 3D web video and a Bluetooth based live environment.
We R0Ol!
Meanwhile we love a pop tune, a chat and a beer and are delighted
to entertain and explain and hand out as many so-called 'secrets' as
possible. So join us, and we will have some fun! http://sevcom.com
SNAGGLEPUSSY creates 'right-moody' sonics from multi-manipulated
soundfx samples and sculpted feedback that results from plugging
her mixer in wrong.
For disorientation she will also use her WATCH ME TYPE mode.
WATCH ME TYPE is sound based automatic writing / cut-up /
text collage, cowardly mediated by technology.
Snagglepussy is a mutation of Gail Priest. www.snagglepussy.net
JULIUS AMBROISINE & AARON HULL rework and manipulate
audio, abuse malfunctioning audio equipment, formulate glitches
and improvise with various electronics and guitar. The sounds
they produce are drone-based and filled with sonic texture.
DISORIENTATION is a monthly series of events, aiming to bring
together both well-known and emerging artists working in audio or
audiovisual performance. For a performance opportunity contact
Shannon.ONeill@uts.edu.au
DISORIENTATION is supported by:
Media Arts and Production, UTS
Lanfranchis Memorial Discotheque
2SER-FM
2MBS-FM
------------------------------
Date: Sat, 14 Jun 2003 15:32:14 +0200
From: innestogreffe <innestogreffe@libero.it>
Subject: Convivial_x_art____(passdocoff_II_)
Hello
PassDoc Off-art continues its clandestine activity with: “Meeting and portrait”
Friday 20/06/03 at 02 p.m. in the Viale Garibaldi, near the Biennal’s Garden Venezia (Italy)
Vernissage flash, perfomance, photo and friendship, join us, we are waiting for you.
Atmosphere by Wind of Oloe.
http://passdocoff.supereva.it Info: passdocwebart@libero.it
Press release
When art becomes life, PassDoc off is a project of conviviality for art, in which the work is the passion for art and the friendship among people, the joy of sharing common time, to be together, to know one another, the possibility to dialogue among people that love art. The project is articulated in a series of meetings in different centres of art ( 25/04/03 Nice, 20/06/03 Venice, 22/08/03 Brighton…). Within these moments of aggregation there will be little instants of art.
The project is coordinated by Domenico Olivero and Ornella Calvetti.
PassDoc Off-art is an artistic suggestion by D.O.O.C.
the next appointment in Brighton (U.K.) 22/08/2003 h 06,30 p.m. near Victoria Fountain.
please circulate this invitation!
------------------------------
Date: Sun, 15 Jun 2003 13:00:19 +0100
From: "Lars Iyer" <Lars.Iyer@newcastle.ac.uk>
Subject: Capitalism Lab
Listmembers might be interested in the following free event in London:
4th Capitalism and Philosophy Lab
Saturday 28 June, 2-6 pm
Room A116, Middlesex University, Tottenham Campus, White Hart Lane,
London N17. White Hart Lane BR.
Admission Free. ALL WELCOME.
Theme: Communism and Friendship on the Work of Maurice Blanchot
Speakers: Dr Lars Iyer, University of Newcastle-upon-Tyne
Dr William Large, College of St Mark and St John
'Writing passes through the advent of communism.'
Blanchot, The Infinite Conversation
Maurice Blanchot's turn to the consideration of political questions
from the late 1950s onwards and his active interventions in French
political life might surprise those who know him as a literary critic
and novelist. But to those familiar with The Space of Literature or
The Book to Come, it is clear that he never contents himself with
upholding the value of the great work of art or the great literary
artist, or indeed the literary institution itself. His concern,
rather, is to attest to the literary, understood in terms of a
certain experience of language inseparable from communism; for
instance the literary practice of Bataille, which attests to an
opening to the Other, to a certain community or communitarian demand.
This promise of communism, and it can only be a promise for Blanchot,
is inseparable from friendship. This is not a friendship of
recognition or familiarity, but of coming into contact with what is
most strange and unknown in the friend, and this 'impossible
friendship' becomes the basis of a new way of thinking the social and
political.
The Capitalism and Philosophy Lab is a regular workshop on post-1968
philosophical approaches to capitalism. For those who believe that
genuine philosophical advances were made in 1960's and 70's France (in
the work, for instance, of Deleuze, Badiou, Lacan, Laruelle, Lyotard),
there is an ever more pressing need to explore and test seriously the
contribution these developments make (and can
make) to Marxist theory and the analysis of contemporary capitalism. New
theoretical tools are needed for the future of Marxist thought. We
suggest that one crucial way forward is to rebut the common but
one-sided perception that the abovementioned philosophical developments
are essentially antagonistic to Marxist philosophy. (One exegetical aim
of the workshop is to place Althusserianism back into its proper
philosophical context.)
As well as critical and directed work on texts and key concepts, these
sessions aim to identify and explore vital components in the current
phase of capitalism. One central focus for discussion will be the
relations between technoscience and capital. What implications do
developments and accelerations in technoscience have for philosophy and
Marxism together? Our hope is that, taken together, these lines of
investigation might provide powerful and new theoretical concepts in the
struggle against contemporary capitalism.
Enquiries: R.Brassier@mdx.ac.uk or C.Kerslake@mdx.ac.uk
Dr Lars Iyer
Lecturer in Philosophy
Philosophical Studies
Centre for Knowledge, Science and Society
3rd Floor, Herschel Building
University of Newcastle upon Tyne
Newcastle upon Tyne
NE1 7RU
United Kingdom
E-mail: lars.iyer@ncl.ac.uk
Tel.: +44 (0)191 222 3662
------------------------------
Date: Mon, 16 Jun 2003 00:19:21 -0400
From: Gita Hashemi <gita@ping.ca>
Subject: Negotiations: upcoming screenings
Please post widely.
__________________
| NEGOTIATIONS: FROM A PIECE OF LAND TO A LAND OF PEACE
| June 19 - June 29, 2003
| Complete programme at:
| http://negotiations2003.net
|
| UPCOMING SCREENINGS
| Friday June 20 to Sunday June 22
| Innis Town Hall, 2 Sussex Ave
|
| Join us for an exciting series of screenings that explore the
historical and global significance of the on-going conflict in
Palestine-Israel, and challenge us to formulate ethical responses
around issues of Indigenous peoples' right to land, resources,
citizenship, self-determination and cultural identity.
|
|__________________
| PROGRAMME
|__________________
| STAKING CLAIM(S) | Screening & Conversation with Curator
| Friday June 20 | 6:15 pm
| Innis Town Hall | $12 or pwyc
|
| A programme of media art by Aboriginal artists addressing issues
of land base/rights, sovereignty, stewardship and disenfranchisement.
Using a wide variety of genres and techniques from documentary to
conceptual/experimental, these artists explore the various effects of
colonization as well as positing a clear Indigenous subjectivity.
|
| With Guest Curator: Steven Loft
| Facilitator: Gita Hashemi
|
| Programme:
|
| _Rooster Rock - The Story of Serpent River_ by Bonnie Devine and
Rebecca Garrett (Canada, 2002)
_Untitled_ by Dana Claxton (Canada 2001)
_$4 Indian_ by Darlene Naponse (Canada 2001)
_A Nation is Coming_ by Kent Monkman (Canada 1996)
_'Si'Elu'taxw _ by First Nations Video Collective (Canada 1997)
|
|______________________
| UNSETTLED RETURNS | Screening & Conversation with Directors
| Saturday June 21 | 7:30 pm
| Innis Town Hall | $12 or pwyc
|
| This programme brings together two celebrated filmmakers, Michel
Khleifi and Eyal Sivan, on the screen and in person, for a close
inspection of the unsettling history of Palestine-Israel.
The juxtaposition of an older film from each director and preview
clips from their current collaborative work-in-progress provides a
rare opportunity to unearth the past for traces of the present guided
by a pair of experts.
|
| With: Michel Khleifi and Eyal Sivan.
| Facilitator: Gita Hashemi
|
| Programme:
|
| _Ma'aloul Celebrates its Destruction_ by Michel Khleifi
(Palestine/Belgium 1984)
|
| _ Aqabat Jaber, Peace with no Return?_ by Eyal Sivan
(Palestine/Israel 1995),
|
| And an exclusive preview of clips of Khleifi and Sivan's new
collaborative project:
| _The Partition Line_ (2003).
|
|_______________________
| UP CLOSE | Film Screening
| Sunday June 22 | 12:30 pm
| Innis Town Hall | $8 or pwyc
|
| Ordinary people pay the highest price in any conflict. When
conflicts last for a long time, people hope, every day of every year,
that this will be the last. They just cannot imagine that human
madness can last so long. But it does, and the same questions have to
be asked, again and again. Until the need arises to turn to the
previous generations, not simply to ask, but to hear answers.
|
| Curated by George Khleifi (Ramallah, Palestine)
|
| Programme:
|
|_Once Again: Five Palestinian Human Rights Stories_ produced by The
Institute of Modern Media, Al Quds University (Palestine, 2001)
|
|_3cm less_ by Azza El-Hassan (Palestine 2003)
|
|ÐÐÐÐÐÐÐÐÐÐÐÐÐÐÐÐÐ
| For complete programme of events please check:
| http://negotiations2003.net
|
| Direct questions to:
| <info@negotiations2003.net>
|
| Tickets and passes (limited number) available at:
|
| Toronto Women's Bookstore
| 73 Harbord St.
|
| Another Story
| 164 Danforth Ave.
| 416 462 1104
|
| Pages Books and Magazines
| 256 Queen St. W.
| 416 598 1447
|
| Negotiations is a Creative Response Initiative
| http://creativeresponseweb.net
|
| Any proceeds from the event will be donated to
| the International Solidarity Movement
|________________________________________
------------------------------
Date: Mon, 16 Jun 2003 12:18:05 -0700 (PDT)
From: Sonar Radar <intothegloaming@yahoo.com>
Subject: THIS IS NOT A :Address Correction
TONIGHT!!!
> FILM REVUE _
WAR SUCKS
Mondays _ 9PM
16 - 30 June 2003
Star Shoes
6364 Hollywood Boulevard
Hollywood, CA
$3 Donation
<<Screening>> M O N D A Y, 16 J U N E at 9 PM
THE DISOBBEDIENTI (54 min)
a documentary by German filmmaker, Oliver Ressler
This film is about a group emergant from the *Tute
Bianche* who appeared during the demonstrations
against the G8 summit at Genoa in July 2001. The Tute
Bianche were the white-clad Italian activists who used
their bodies - protected by foam rubber, tires,
helmets, gas masks, and homemade shields - in direct
acts and demonstrations as weapons of civil
disobedience.
Please join us: engage in the debate, view the film
and draw your own conclusions on these questions of
protest and war is today’s global society.
for further information you may contact Grace Aplomb
at warsucksseries@yahoo.com.
>>>>>
THIS IS NOT A :Collective was founded in 2001 in order
to conceive new parameters for developing, criticizing
and enjoying culture in the occidental diaspora. Our
use of this opportunity, or purpose is threefold: to
provide information and create discourse on all the
salient issues in our contemporary cultural debate -
from sustainability to globalization, from status quo
to avant garde; to create and facilitate contemporary
media, whether old or new; and to cement our era in
history as a period of renaissance and renewal.
------------------------------
Date: Thu, 12 Jun 2003 20:06:33 +0200
From: Floor van Spaendonck <floor@waag.org>
Subject: Invitation Connected Club 6/19th The dynamic scale of interactive space
CONNECTED CLUB PRESENTS:
"The dynamic scale of interactive space" & "RemoteHome: a new home for the
mobile society" by Tobi Schneidler
Location: Theatrum Anatomicum- Waag Society- Nieuwmarkt 4- Amsterdam
Date: 19th of June 2003
Time: 19.00 o'clock
Reservations: floor@waag.org
The Connected Club is a series of presentations related to Waag
Society's-programme 'Connected! The making of a live art exchange'. Tony
Schneidler is invited to talk and discuss the topic of "The dynamic scale
of interactive space" and to present the Remote-home-project.
The RemoteHome: a new home for the mobile society
The RemoteHome is a flat share that will exist in two distant cities at the
same time: London and Berlin. Both spaces are electronically connected
through the Internet, to turn furniture and architectural elements into
tangible and sensual means of communication.
Sensory and kinetic devices, as well as an interactive light installation
allow for the exchange between this remotely living group of friends. A
mobile wireless artefact, in the shape of a transforming interactive bag,
can be taken on journeys to stay emotionally in touch with the RemoteHome.
The project is an architectural response to the emerging notion of a
remote-society; a society that is forming personal bonds beyond sharing
origin or geographical proximity, a culture that is constantly on the move.
Information technologies, in all its shapes, have led to a separation
between the body of the messenger and the message itself. Relationships
between people are increasingly sustained, formed or even ended over long
distances, through the use of communication technologies, like the mobile
phone, e-mail or instant messaging.
The RemoteHome is proposing more intuitive ways of communicating and
exchanging presence. The materiality of the architecture becomes the
medium, the space transforms into a metaphysical reflection of its inhabitants.
The project was presented as two connected prototype spaces at the London
Science Museum and the Raumlabor in Berlin.
The project was developed by Tobi Schneidler in cooperation with the Smart
Studio / Interactive Institute Stockholm and the Future Textiles department
at the Central Saint Martins in London.
Further information: www.remotehome.org and smart.tii.s www.tobi.net |
Connected! The making of a live art exchange is realised with the support
of the Netherlands Culture Fund.
waag society / for old and new media | nieuwmarkt 4 | NL-1012 CR Amsterdam
e: floor@waag.org | t: +31 20 557 9898 | f: +31 20 557 9880 |
http://www.waag.org
------------------------------
Date: Mon, 16 Jun 2003 23:27:04 +0200
From: florian schneider <fls@kein.org>
Subject: Park Fiction presents: Unlikely Encounters
From: Christoph Schaefer <cs@nadir.org>
Date: Mon Jun 16, 2003 23:24:04 Europe/Berlin
[please scroll down for german version]
Park Fiction presents: Unlikely Encounters in Urban Space Exhibition
of Park Fiction's Documenta11 Installation and International Congress:
Hamburg St. Pauli, Reeperbahn 1.
Exhibition: June 19 - July 6, open daily from 12 a.m. to 10 p.m.
Special Exhibition: the crane-model
<http://www.parkfiction.org/unlikelyencounters/koonsmann.html> shown
in New York from Andreas Siekmann
<http://www.parkfiction.org/unlikelyencounters/koonsmann.html>
Congress: June 26 - 29, 2003The exhibition and congress are free.
Seats at the conference are limited, please register with:
bernadette@nadir.org
One year after Documenta 11, Park Fiction's installation returns to
Hamburg. For the first time, the installation will be shown in its
place of origin, St. Pauli, on the Reeperbahn. The exhibition will be
accompanied by an international congress: Unlikely Encounters (in
urban space), with groups from Delhi/India, Tijuana/Mexico, La
Plata/Argentina, Milan/Italy and Berlin/Munich/Hamburg.
After an intensive seven-year process of wishing, planning and
negotiating, culminating in its presentation at Documenta11, Park
Fiction, a long-term planned park project in Hamburg-St. Pauli, with
and from a collective of its residents, is in the midst of
realization. Just the right time to reflect on this successful
process: With the Documenta installation, a precise form was created,
making this exceptional process, where "Art and politics made each
other wiser" (Czenki) accessible in its model-like state. The congress
Unlikely Encounters in Urban Space will open up the view on the global
horizon, and create direct connections between similarly laid-out
projects in different countries.
Urbanism and the appropriation of cities have meanwhile become central
questions in art discourse. What appeared to be a marginal theme
skirting the outer limits of the art system has, with increasing
dominance, settled down at biennials and international exhibitions,
coming into its own as a separate, vivid branch in art. Especially
now, at the end of the industrial age, new methods of urban practice
are developing all over the world, which broaden the idea of the
possibility for artist actions and interventions in the city space.
These projects find their own space and areas of work, and cooperating
with non-art fields, out of the perspective of daily life, intervene
in economic, information and academic city planning systems. This
network of local knowledge challenges the global power of the media,
and the state and economic authorities. The congress Unlikely
Encounters in Urban Space will give groups from various countries and
fields of work the possibility to join discussions and establish
connections and relationships between various practises and
objectives. It is about nothing less than the research of the
possibility on the horizon of an experimental urbanism of the
multitude.
Exhibition from June 19 - July 06, 2003 Opening: June 19, 3-10 p.m.
with Ute Meta-Bauer.
Congress from June 26 - 29, 2003, with: Ala Plastica / La Plata
Cantieri Isola+Office for Urban Transformation / Milano expertbase /
Amsterdam, Berlin, München Hamburg Maclovio Rojas / Borderhack /
Tijuana Sarai Media Lab / Delhi Galerie für Landschaftskunst / Hamburg
Lignas Musicbox / Hamburg Park Fiction / Hamburg Schwabinggrad Ballett
/ Hamburg
and contributions from individuals: Jochen Becker Sabeth Buchmann
Stephan Dillemuth Sarat Maharaj Eva Sturm
Subcurators: Margit Czenki, Christiane Mennicke, Christoph Schäfer
Organization: Bernadette Hengst
Publicity and Public Relations: Wanda Wieczorek
UnlikelyPress@parkfiction.org
Contact: www.parkfiction.org <http://www.parkfiction.org>
info@parkfiction.org
Backed by: Hafenrandverein für selbstbestimmtes Leben und Wohnen auf
St.Pauli, e.V.
[deutsche version]
Park Fiction presents: Unlikely Encounters in Urban Space Ausstellung
der Documenta11 Installation von Park Fiction und Internationaler
Kongress: Hamburg St. Pauli, Reeperbahn 1.
Ausstellung: 19. Juni - 6. Juli 2003, taeglich von 12 bis 22 Uhr
Kongress: 26.-29. Juni 2003
Ausstellung und Kongress kosten keinen Eintritt. Plaetze bei der
Konferenz sind begrenzt, bitte anmelden bei: bernadette@nadir.org
Ein Jahr nach der Documenta11 kehrt die Installation von Park Fiction
nach Hamburg zurueck. Am Ort der Entstehung wird die Arbeit erstmals
auf St.Pauli, auf der Reeperbahn ausgestellt. Begleitet wird die
Ausstellung von dem internationalen Kongress: Unwahrscheinliche
Begegnung, mit Gruppen aus Delhi/India, Hamburg/Muenchen/Berlin/D, La
Plata/Argentina, Milano/Italia und Tijuana/Mexico.
Das langfristig angelegte Projekt eines kollektiv mit und von
AnwohnerInnen geplanten Parks in Hamburg-St. Pauli, Park Fiction,
steht nach sieben Jahren eines intensiven Wunsch-, Planungs- und
Verhandlungsprozesses und seiner Praesentation auf der Documenta11
mitten in der Realisierung. Gerade der richtige Zeitpunkt, um diesen
gelungenen Prozess zu reflektieren: mit der Documenta-Installation
wurde eine praezise Form geschaffen, diesen aussergewoehnlichen
Prozess, in dem "Kunst und Politik sich gegenseitig schlauer gemacht
haben" (Czenki), in seiner Modellhaftigkeit zugaenglich zu machen. Der
Kongress Unlikely Encounters in Urban Space wird, auf dieser Basis,
den Blick auf den globalisierten Horizont eroeffnen und direkte
Zusammenhaenge zwischen aehnlich gelagerten Projekten in verschiedenen
Laendern herstellen.
Urbanismus und die Aneignung der Staedte sind mittlerweile zu
zentralen Fragen kuenstlerischer Diskurse geworden. Was noch zu Beginn
des vergangenen Jahrzehnts ein marginales Thema am Rande des
Kunstbetriebs zu sein schien, schlaegt sich auf Biennalen und
internationalen Ausstellungen immer dominanter nieder, hat sich zu
einem eigenen, lebendigen Strang der Kunst entwickelt. Gerade jetzt,
mit dem Ende des industriellen Zeitalters, entwickeln sich ueberall
auf der Welt neue Methoden urbaner Praxis, die die Vorstellung von
kuenstlerischen Eingriffs- und Handlungsmoeglichkeiten im staedtischen
Raum erweitern. Diese Projekte suchen sich ihre Raeume und
Arbeitsfelder selbst, kooperieren mit ausserkuenstlerischen Feldern,
intervenieren aus einer Alltagsperspektive heraus in Oekonomie,
Informations-, Wissens- und Stadtplanungsysteme. Diese Netzwerke des
lokalen Wissens fordern die globale Macht der Medien, der staatlichen
und wirtschaftlichen Instanzen heraus. Der Kongress wird Gruppen aus
unterschiedlichen Arbeitsfeldern und Laendern die Moeglichkeit bieten,
Diskussionen zu verbinden, Zusammenhaenge und Beziehungen zwischen den
verschiedenen Praktiken und Zielen herzustellen. Es geht um nicht
weniger, als darum, die am Horizont erscheinenden Moeglichkeiten eines
experimentellen Urbanismus der Mengen (Multitudes) zu erforschen.
Ausstellung vom 19. Juni - 06. Juli 2003 Eroeffnung: 19. Juni, 15-22
Uhr mit Ute Meta-Bauer.
Kongress vom 26. - 29. Juni 2003, mit: Ala Plastica / La Plata
Cantieri Isola+Office for Urban Transformation / Milano expertbase /
Amsterdam, Berlin, Muenchen Hamburg Maclovio Rojas / Borderhack /
Tijuana Sarai Media Lab / Delhi Galerie fuer Landschaftskunst /
Hamburg Lignas Musicbox / Hamburg Park Fiction / Hamburg Schwabinggrad
Ballett / Hamburg
und Beitraege von Einzelpersonen: Jochen Becker Sabeth Buchmann
Stephan Dillemuth Sarat Maharaj Eva Sturm
Subkuratoren: Margit Czenki, Christiane Mennicke, Christoph Schaefer
Organisation: Bernadette Hengst
Presse und Oeffentlichkeitsarbeit: Wanda Wieczorek
UnlikelyPress@parkfiction.org
Kontakt: www.parkfiction.org <http://www.parkfiction.org>
info@parkfiction.org
Hafenrandverein fuer selbstbestimmtes Leben und Wohnen auf St.Pauli,
e.V.
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
------------------------------
Date: Mon, 16 Jun 2003 19:05:47 +0200
From: "SMART Project Space" <info@smartprojectspace.net>
Subject: sound performance Tuesday June 17/smart cinema
press release
SMART Project Space | 1e Constantijn Huygensstraat 20, Amsterdam, +31 =
(0)20 427 5951
Tuesday June 17, 20.30 hrs. Smart Project Space presents: SOUND =
PERFORMANCES
A monthly series in which the boundaries between music and art will be =
explored. Organized in collaboration with Stichting Mixer.
apestaartje : a label, a collective, a symbol used to specify a =
location
apestaartje, currently based in New York, was founded in Chicago in =
1998 as a media arts collective and as a record label to distribute the =
audio works of the collective. apestaartje is dedicated to exploring =
new technologies and techniques as well as expanding on many traditions =
from the past. Four performers involved with apestaartje will give four =
concerts on this evening.
Anderegg is one of the founding members of the apestaartje collective. =
His work has been described as "an ever-shifting composition of nervous =
trembles, ticks and spasms gently coaxed from acoustic instruments, =
field recordings and all things electronic, that is then obsessively =
obscured as if beneath a fluttering veil that allows only brief flashes =
of detail while carefully filtering the remainder". His second album =
'anomia' has just been released on April 15th 2003.
Aero is the solo project of apestaartje co-founder and label head Koen =
Holtkamp. His work has been described as "a complex synthetic =
recreation of something unspecifically organic, in other words, an =
assemblage of sound capable of transforming the listener's conception =
of time and space." (AG, other music). His second album titled 'rises =
and falls' will be released on apestaartje in July 2003.
Minamo, an electroacoustic quartet from Tokyo featuring several key =
players in the contemporary Japanese improvised music scene (Tetsuro =
Yasunaga, Keiichi Sugimoto, Namiko Sasamotosk) sound is an organic blend =
of experimental electronics with instrumentation (guitar, synth, =
saxophone, computer etc) that evokes everything from classical =
minimalism to more serene folk stylings. Their third album titled =
'beautiful' will be released on apestaartje on April 15th 2003.
Collin Olan is a Chicago based sound artist, improviser and software =
engineer who recently released his debut 3" cd titled 'rec01' on =
apestaartje. BBC Music On-line stated, "Olan's contact mics unlock a =
sound world previously hidden from the ear, where tiny events are =
magnified to dramatic scale." He is currently working on a full length =
album to be released on apestaartje in late summer 2003.
Location: Smart Cinema
Price: 5.50 Euro
For information please contact Alice Smits
SMART Project Space | www.smartprojectspace.net
Exhibition Space & Cinema: 1e Const. Huygensstraat 20
Opening times: Tues-Sat from 12.00-22.00, Sun from 14.00-22.00 hrs.
Mail to: P.O.Box 15004, NL-1001 MA Amsterdam
Phone: +31 20 427.5951
Fax.: +31 20 427.5953
mail: info@smartprojectspace.net
If this e-mail was forwarded to you by way of someone other then SMART =
Project Space, and you would appreciate to receive further mailings =
announcing exhibitions at SMART Project Space, you can send mail to =
info@smartprojectspace.net with the following command in the body of =
your email message: "subscribe e-mailing SPS"
If you would want to remove yourself from this mailing list, you can =
send mail to info@smartprojectspace.net with the following command in =
the body of your email message: "unsubscribe e-mailing SPS"
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